HOW DOES FITZGERALD TELL THE STORY IN CHAPTER 1 OF THE GREAT GATSBY?
"HOW DOES FITZGERALD TELL THE STORY IN CHAPTER 1 OF 'THE GREAT GATSBY'?" The opening chapter of any novel is fundamental in setting the tone for that which follows it: Fitzgerald therefore ensures that the first chapter of the 'The Great Gatsby' firmly imprints certain key themes into the mind of the reader, using a variety of devices to do so. The very first thing that Fitzgerald makes clear to the reader is the perspective from which the novel will be presented. From the first sentence, it is plain that there is a first person narrator, meaning that the narration will opinionated and cannot be taken as fact. The narrator is a man called Nick Carraway, and the first thing the reader learns about him is something which his father told him when he was younger, which he has been "turning over in (his) mind ever since" (i.e. something essential to our understanding of his views and actions: a core part of his psyche). This turns out be his father telling him that "all the people in the world haven't had the advantages that (he has) had". As a consequence of this advice, Nick tells is, he has always been "inclined to reserve all judgements", showing the reader that he will not tend to present his views on a person before he has had a chance to learn more about them. This appears to make him an ideal narrator for a story, because all of his views will be given after
The Great Gatsby
Steven Lin Period 8 English 11 Mr. Glatt The capacity to dream is a natural characteristic possessed by all mankind. Americans living in a country based on the philosophy of pursuing great American dreams go about pursuing their own goals in many ways. Ironically the American dream itself is the ultimate illusion that can never satisfy those who pursue it. The American dream was only possible when it was a potential. Nick in Fitzgerald's, The Great Gatsby, realized this as he imagines a past when the Dutch first laid their eyes on the vast wilderness of the uninhabited United States. Gatsby's ideals in this novel are the ideals of all Americans. Gatsby and Americans search for a dream and yet nobody truly understands what it is they are really in search of. People go about fulfilling these dreams by using cheap reality and in the end it does not measure up to the size of the dream itself; the dreamer is bound to be disappointed with every accomplishment of the dream. At the conclusion of Fitzgerald's book, The Great Gatsby, the main character Gatsby has recently died and Nick stands facing the front door of Gatsby's mansion. From this moment, Nick looks at Gatsby's house for a last time. He sees a swear word on the wall, and like Holden in the book, The Catcher in the Rye, he too crosses the word out; trying to preserve the innocence. Nick wants to keep
Discuss the effectiveness of the opening chapter of Fitzgerald’s ‘the Great Gatsby’.
DISCUSS THE EFFECTIVENESS OF THE OPENING CHAPTEROF FITZGERALD'S 'THE GREAT GATSBY' In order to discuss the effectiveness of an opening chapter it is first necessary to outline what defines an effective first chapter. Undoubtedly it is essential that we be given a 'feel' for the book, a clear sense of the writers' style. Moreover it is within this section we would expect to be introduced to the main characters of the novel and hints as to what may happen next. Finally it is equally important the author describes the setting; both of the physical surroundings and references that allow us to place the text in terms of time and place. In the first chapter Fitzgerald sets up a first person narrator, Nick Carraway, who is omniscient due to his seemingly non-judgmental nature. Within the opening paragraph Carraway informs us he is "inclined to reserve all judgments" and as a result is "privy to the secret griefs of wild, unknown men". Consequently we are able to witness interesting revelations as Nick "opens up many curious natures" which enhances the effectiveness of the opening chapter. Some admissions add to our enjoyment of the book for example Daisy tells a humorous, anecdotal "family secret...about the butler's nose". Other disclosures expose more of the characters. This is evident when Miss Baker "hesitantly" tells Carraway of Tom's affair. However some may
Symbolism in the Great Gatsby
Symbolism in The "Great Gatsby" The critic Harold Bloom once wrote, "Never has symbolism played such a crucial part in the very foundation of a novel as it does in Scott Fitzgerald's masterpiece, The Great Gatsby." Essentially the great gatsby appears to be a novel depicting the doomed romance between a man and a woman. However, the main theme of the novel is a completely un-romantic one. Although the novel only takes place over several months, and only in New York, it serves as a microcosm for the 'Jazz Age' of America, and of the famous American Dream. Fitzgerald illustrates this time as being one of moral deprivation ( Tom Buchanan's racism), as well as a decay in social values, as the characters actions are powered by greed, and the empty pursuit of pleasure ( the promiscuity of Tom, Daisy and Myrtle). This sort of behaviour was typical of the 1920's and because of this behaviour ,parties- not dissimiliar to the opulent parties hosted by none other than 'The Great Gatsby'- were in abundance in this time. These parties were a corruption of 'The American Dream' because 'The Dream' was no longer about achieving a better life than your parents, however in the eyes of money americans 'better' translated to 'richer', so the thirst for money depicted in the novel, is symbolic for the attitudes of both men and women in 1920's America. Nick explains in chapter 9, that the
The Great Gatsby
Terence Landman Prose Essay The Great Gatsby Look closely at the details presented, the snatches of dialogue, and Nick's comments, in order to explain how Fitzgerald renders this episode in both positive and negative ways. The two-page extract from the Great Gatsby has various themes, motives and symbolism running at its roots. This essay will attempt at deciphering these symbols and clearly expressing their true meaning, as well as the course they help to create in Fitzgerald rendering this episode in both positive and negative ways. Gatsby's house is compared several times to that of a feudal lord, and his imported clothes, antiques, and luxuries all display nostalgia for the lifestyle of a British aristocrat. Though Nick and Daisy are amazed and dazzled by Gatsby's splendid possessions, a number of things in Nick's narrative suggest that something is not right about this transplantation of an aristocrat's lifestyle into a democratic America. Nick creates, through visual imagery an imaginary representation of Gatsby's house in his readers. He expresses the beauty embedded in the gardens, "the sparkling odour of jonquils and the frothy odour of hawton..." (88) the various eras and architectural designs, "Marie Antoinette music-rooms and Restoration Salons" (88) and lastly the different themes captured by these rooms, "through period bedrooms swathed in rose and
Was Gatsby Great
How Great is Gatsby? The title of the novel, 'The Great Gatsby' by F. Scott Fitzgerald, is ironic as the heading's character is neither 'great' nor named Gatsby. He is a criminal who has altered his harsh surname of Gatz to the melodic Gatsby and the life he has created for himself is an illusion. The book's name is the first feature that appeals to the reader. Before even opening the book the person expects Gatsby to be great. The caption, 'The Great Gatsby', itself suggests a theatrical billing given to an artist. It could also symbolise the act of Gatsby's life in the novel. Fitzgerald presents Gatsby as living a luxurious life, with plenty of friends, no worries and an honest man. Yet by the end of the novel his whole illusion unravels and the reader discovers that he has many problems, he is dishonest and has no true friends. One of the ways in which Gatsby is 'great' is the fact that he is extremely wealthy and owns many material items such as a yellow station wagon and a "Rolls-Royce". Fitzgerald uses descriptive words such as "hulking patent cabinets', "massed suits" and "shirts pilled up like bricks in stacks a dozen high" to emphasise Gatsby's luxurious lifestyle. Furthermore, to encapsulate his wealth Fitzgerald portrays Gatsby in royal, rich colours like "Indian blue" and "apple green and lavender." Materialism is important to Gatsby as he sees it as the only
Fitzgerald's The Great Gatsby,
Simon Everett Task A -Examine the relationships between the narrator of each novel and the character who so fascinates them in each case. Over the last fifty years, since the release of On The Road in 1957, it has not been uncommon for critics to draw parallels between Kerouac's semi-autobiographical novel and Fitzgerald's The Great Gatsby, released thirty-two years previously. It is for certain that both the novels share many similar traits, both examine concepts of American ideals and The American Dream, both are heavily influenced by the jazz age of the time, but nothing binds the novels closer to one another than the authors' use of the first person narrative and that narrators relationship with their leading character. It is perhaps the most common reading to see both Jay Gatsby and Dean Moriarty awarded iconic status by their corresponding narrators. The connotations concerning the epithet found in the very centre of Fitzgerald's title alone can bring an image to the reader's mind of one of history's great leaders, putting Gatsby in league with characters such as Alexander the Great, Catherine the Great, Peter the Great and Frederick the Great. It would seem obvious from the title that Gatsby is one beheld with admiration and respect by the narrator. The relationship between Kerouac's Sal Paradise and Dean Moriarty is often viewed in much the same light. The
Symbolism in The Great Gatsby.
Symbolism in The Great Gatsby By 1925, author F. Scott Fitzgerald was known primarily as the historian of the Jazz Age and chronicler in slick American weeklies of the American flapper. Perhaps this is why critics and reviewers were caught off-guard in that year, at the height of the Roaring Twenties, when Fitzgerald published The Great Gatsby, a story cited today as the Great American Novel. It is true, as Magnum Bryant says, "The simple romance of Jay Gatsby and Daisy Buchanan is merely the foundation for a narrative structure that accommodates Fitzgerald's ideas about irreconcilable contradictions within the American Dream and ultimately about the ideal quest itself"(Byrant n.pg.). The intricate weaving of the various stories within The Great Gatsby is accomplished through a complex symbolic substructure of the narrative. The primary images and symbols that Fitzgerald employs in developing the theme of The Great Gatsby are the green light, the Valley of Ashes, and the overlooking eyes of Dr. T.J. Eckleburg. The green light at the end of Daisy Buchanan's dock is the first use of one of the novel's central symbols. The initial appearance of the green light occurs when the narrator, Nick Caraway, sees Gatsby standing in front of his mansion, stretching out "his arms toward the dark water in a curious way" (Fitzgerald 26; ch. 1). From his own house Nick believes that he can
The Great Gatsby by F.Scott Fitzgerald
The Great Gatsby by F.Scott Fitzgerald The Great Gatsby symbolizes an era. It is both an indictment and a glorification of the 'Jazz Age' and proved the most enduring novel to come out of America in the inter-war period. Jay Gatsby, the hero of the title, represents all that is glorious and tarnished about the 'Roaring Twenties'. It was an age before the Great Depression, when the economy was booming and conspicuous consumption was the order of the day. Fitzgerald and his wife Zelda subscribed to this era of wanton abandon every bit as much as the characters in The Great Gatsby - it was hard to know which was the more celebrated - Fitzgerald or his work. At the same time as reveling in the affluence of the time, Fitzgerald could appreciate its lack of profundity. He was too intelligent to be a mere socialite, and his disenchantment is captured perfectly in The Great Gatsby This double view of his own existence contributes to the success of The Great Gatsby. We are presented with two characters who seemingly represent the dichotomy Fitzgerald sees in himself - Nick Carraway, the boy from the mid-West who is wide-eyed at the showiness of the materialism he sees around him; and Jay Gatsby, who represents and fully subscribes to this material world. However, as Fitzgerald states in his biographical work The Crack Up, 'the test of a first-rate intelligence is the ability to hold
The Character of Daisy Buchanan in the novel "The Great Gatsby" by F.Scott Fitzgerald
The Character of Daisy Buchanan in the novel "The Great Gatsby" by F.Scott Fitzgerald Daisy is The Great Gatsby's most enigmatic, and perhaps most disappointing, character. Although Fitzgerald does much to make her a character worthy of Gatsby's unlimited devotion, in the end she reveals herself for what she really is. Despite her beauty and charm, Daisy is merely a selfish, shallow, and in fact, hurtful, woman. Gatsby loves her (or at least the idea of her) with such vitality and determination that readers would like, in many senses, to see her be worthy of his devotion. Although Fitzgerald carefully builds Daisy's character with associations of light, purity, and innocence, when all is said and done, she is the opposite from what she presents herself to be. From Nick's first visit, Daisy is associated with otherworldliness. Nick calls on her at her house and initially finds her (and Jordan Baker, who is in many ways an unmarried version of Daisy) dressed all in white, sitting on an "enormous couch . . . buoyed up as though upon an anchored balloon . . . [her dress] rippling and fluttering as it [she] had just been blown back in after a short flight around the house." From this moment, Daisy becomes like an angel on earth. She is routinely linked with the color white (a white dress, white flowers, white car, and so on) always at the height of fashion and addressing people
