Both the narrative devices and representations contained within the five advertisements are very similar. The basic plot outline of the advert is that Graham is placed in celebrity style mansions, drinking creamy Boddingtons beer whilst surrounded by women, and living the lifestyle that the target audience would aspire to. Each advert narrative contains some kind of humorous remark or jest, either by Graham or Claudia and there are many intertextual references in the campaign. The type of intertextual references are those, which the core target audience of 18 to 25 year olds would recognise, so the campaign effectively targets them. Such references to the film - ‘The Shining’, the television programme – ‘Through the Keyhole’ and the television show – ‘Des O’Connor Tonight’. The differences between the adverts allow for a wider audience to relate to the adverts, so that more people can be targeted. It is interesting to notice that the narratives contain some of the codes and conventions specific to situation comedy, for example the idea of a set up and pay back in the form of a joke and the subversion of the audience’s expectations. The narrative, media language and representation all help to create an initial preferred reading of the advertisement and then as it builds up the audience’s expectations of what is about to happen are subverted. For example the use of sound to deliberately create sexual connotations creating the preferred reading of what is going to happen, the subversion of expectations creates the ‘Boddingtons is better than sex’ connotation.
As with the representations created in the campaign where Boddingtons is placed with essential foods in a fridge to show it is needed to survive - placing it in this dominant recognisable position creates identification by the audience, encouraging them to do the same. The advertising campaign welcomes females to consume the product. A strong, independent brunette is placed into a fast car, showing women in a domineering, leading position, as the campaign attempts to break social stereotypes, like the beliefs of today’s youth drinking culture. It encourages women to drink beer and it is represented s being an all round everyday normal item for consumption. The campaign aims to represent Boddingtons so that it seems to affect and influence all areas of a person’s lifestyle. In one advert the aspiration lifestyle of Graham is used to promote the celebrity style life that drinking Boddingtons can bring, with the product placed in a safe to connote the need for safe guarding and protecting the precious, prized Boddingtons, and in another advert a typical night club setting is used to place the product in familiar surroundings, where Boddingtons is available at every pump at the bar. The representations of the product itself are very important, either that it is so precious it needs protecting, or that it is everyday and normal, ultimately the message the representations are sending to the audience is that whatever lifestyle one leads, Boddingtons can be incorporated into your everyday life.
The advertising campaign conforms to the usual codes and conventions of advertising and typical beer advertisements. From the use of humour to the product placement and product usage. Product usage is important in any advertisement particularly when the product is physically consumed as it shows the satisfaction and fulfilment it can or will bring, in an attempt to further persuade and encourage the audience. As with these advertisements the additional pleasures that consuming the product will bring are clearly visible. This is an effective way of advertising because placing the product centrally helps to make it seem a complete necessity and positively shows the advantages that it can bring. The main genre, being the codes and conventions of beer advertising, often link with the values and ideologies contained within the text. The main codes and conventions are the use of humour, sexual connotations, live action, social inclusion and a happy, aspiration lifestyle, these all feature heavily in the Boddingtons Beer advertising campaign. The values that the adverts are promoting are the moral acceptance of sex, partying and drinking as everyday activities. Boddingtons is shown to give you an advantage of money and ‘the celebrity’ lifestyle and it encourages the audience to live in this way, showing that success is measured by wealth, fame and sexual conquest. It also, quite importantly, shows the role for independent, powerful, dominant women in society, placing women on an equal par with men, which reflects the changing attitudes, our society has gone through, even though this equality is sown by the fact that it is acceptable for women to drink alcohol. On the other hand it shows the drinking of alcohol on a regular, daily basis as morally acceptable for our youth, naturalises heterosexuality, shows casual sex as acceptable and places alcohol at the forefront, as an acceptable social device. Showing alcohol in a light that it will improve all the areas of a person’s lifestyle that the target audience are particularly interested in.
The advertising campaign does make assumptions about its audience. Particularly that they aspire to celebrity status, wealth, sexual activity, drinking and clubbing, and overall success. This can be seen by the settings and lifestyles in the adverts, the fact that the product is alcoholic, the specific intertextual references and the themes and ideologies that the adverts contain. Throughout the entire advertising campaign everything that has been deliberately set up has been done so for a reason, the audience is placed in the position so as to build their assumptions and expectations and reassure, assure and encourage views that directly affect them The key concepts and codes and conventions directly affect the campaign using both overt and covert techniques, and in a way advertising in such a way is a form of exploitation on the part of the company and the advertisers. But ultimately the effect created by such advertising campaigns as Boddingtons is the encouragement of the audience to purchase the product.