Account for the emergence of proto-fascism in Europe in the decades before the First World War

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Account for the emergence of proto-fascism in Europe in the decades before the First World War

In answering this question, it is first necessary to define and explain the concept of proto-fascism. To define and analyze fascism as a whole is problematic and a continuing source of controversy - how then do we define its predecessor, proto-fascism? Does proto-fascism even exist (one historian has categorically stated that "there was no fascism anywhere in Europe before the end of the First World War" ) or are we looking at the ideas and movements of pre-1914 through the experiences of the twentieth century? I am not arguing that fascism after the First World War was not influenced by ideas before 1914 (thus Anderson was able to write that "France had an extreme nationalist movement ... whose ideas and tactics anticipated fascism" ) but this is not the same as maintaining that a rudimentary, "primitive" fascism existed before 1914. Can we say that fascism in a primitive form existed before 1914 or should we say that there is either fascism or there is not and then look for a more accurate way to describe pre-1914 ideas and trends?

`There are two ways of viewing the roots of fascism before 1914; its intellectual and artistic development (it is fair to say that our experiences of fascism obscures, as Hayes puts it, the very powerful link between the arts and fascism" ) and the socio-economic movements, the tenets of which fascism incorporated. Whether this combination can be called proto-fascism though, remains to be seen.

`It cannot be denied that the latter decades of the nineteenth century witnessed an artistic and intellectual revolution that questioned and challenged the established order of European society. The rise of socialism, irrationalism (especially its literary and artistic impact) and militant nationalism were all components of fascism even though when placed together they contained irreconcilable contradictions. The synthesis of contradictions, the fusion of ideas and their opposites though, is usually seen as a unique characteristic of fascism.

`Thus it was possible to be anti-socialist (opposed to the demands of the working class) whilst arguing against the worst excesses of capitalism (it is more likely that attacks on capitalism were synonymous with attacks on industrialization which was seen to have eradicated feudalism).

`The synthesis of irrationalism and rationalism is interesting, if one sees rationalism as arguing for the advancement of society and irrationalism as an attack on the decay and decadence of society. Rationalism (stemming from the French Enlightenment) manifested through Utilitarianism (Bentham and Mill), Positivism (Comte) and Marxism stood in stark contrast to Irrationalism, illustrated by literature (notably Dostoevsky and Rimbaud), philosophy (Nietzsche and also Bergson, a major influence on Sorel) and art (Cubism and Expressionism). The culmination of Irrationalism might said to have been Futurism which seemed to be a mixture of all three (though some have argued that Futurism was merely the artistic face of Italian nationalism and that Marinetti was an artistic mouthpiece for Corradini).

`This is all very interesting but does it actually have any bearing on fascism? The idea that society was decadent and decaying is certainly very important and is a central tenet of irrationalism. The idea of rejuvenating society through struggle is also connected to nationalism and militarism (another idea that enjoyed considerable influence at the end of the century) but irrationalism is undoubtedly the intellectual foundation of fascism. When Marinetti called war an "aesthetic experience" and the Futurist Manifesto (1909) claimed that "beauty exists only in struggle" and that war was "the only cure for the world" it is quite clear how this could be adapted by nationalism, militarism and eventually fascism. This is not to say that fascism used irrationalism merely as a reaction against rationalism - as fascism was later to demonstrate, order and control are quite compatible with chaos, struggle and emotion.

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`The part played by race in the intellectual origins of fascism, the contradiction of civilized and primitive, is also intriguing (it is important to note that racialism is not synonymous with anti-semitism, which will be discussed further on).

`The technical and scientific innovations of the nineteenth century were paralleled by an interest in the past and primitive cultures (no doubt influenced by imperialism). Added to this was the corruption of Darwin's work (the preposterous "Social Darwinism") which resulted in racialism and primitivism, a feeling that these were qualities that needed to be infused into society in order for it to ...

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