Oral exam , Russian HL
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Lee Yuk Sa- Juljong
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Inclined Plane Lab IA
GALILEO GALILEI'S INCLINED PLANE EXPERIMENT Physics HL Physics HL 1
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Chinese IB SL writing - singer come to school essay
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Thai literature
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Dynamics in Dido and Aeneas
Explore Purcell's use of dynamics in Act I of Dido and Aeneas. Purcell's Dido & Aeneas, an early opera composed in 1680. In Act I of the opera, Dido and Aeneas meet, leading to their immediate love for on another, which they are unable to pursue when the witches, who hate Dido, plan to ruin her fate. The atmosphere and emotions in the first Act are portrayed successfully, with the dynamics playing a major role in helping create the desired setting. Purcell's use of dynamics in Act I is never consistent; in some pieces he uses many dynamic markings, with nothing left to the will of the conductor, however, in other pieces, Purcell tends to leave out dynamic markings. It is possible that these may have been lost over the years due to the music being transcribed several times, although it is unlikely that so many dynamic markings have been left out. In general, the most common dynamic markings used are piano, forte and crescendos. The use of the dynamic markings mezzo piano or forte, as well as fortissimo and pianissimo, are uncommon in Act I of Dido and Aeneas. An example of a song in which Purcell uses many dynamic markings would be the No. 11 Chorus, in which Purcell uses dynamic throughout the piece, leaving little to the conductors interpretation. The piece starts in 'forte', which echoes what is going on in at the time, as Aeneas is about to pursue his love for Dido. All
Social Class in Madame Bovary
Discuss social class in 'Madame Bovary.' Is Emma a sophisticated aristocrat born by mistake in a bourgeois prison, or is she simply a middle-class girl obsessed with a richer life? Make detailed references to the text in order to support your points. In the novel, 'Madame Bovary,' Gustave Flaubert emphasises the importance of social class: all of the characters have a place in the social hierarchy, with obvious distinctions between lower, middle, and upper classes. The lower classes are represented by those who work for the Bovarys': Felicite and the wet nurse, in addition to the old beggar and to an extent, Justin. The upper class consists of Rodolphe, the guests of the ball in Part I, and even, Charles Bovary's classmates in the very first chapter. The Bovarys are part of the middle class, much to the disappointment of Emma. Emma is obviously part of middle-class society, but whether she belongs there requires further analysis. 'Madame Bovary' is about a beautiful woman, who is enchanted by the novels she reads, and ends up in a boring marriage, looking for the excitement she reads about. This eventually leads her into adultery, first with Rodolphe, and then Leon. Even her affairs are not as her novels describe them, and she continually has problems either with her husband or her lovers. Her obsession with material goods leads her into debt, and eventually drives her to