In 'A Modest Proposal', Swift proposes that eating the children of the poor is the answer to Ireland's economic problems.
A Modest Proposal - Jonathan Harvey The Eighteenth Century was an extremely difficult time for the country of Ireland. Not only were the English lords ruling the nation, but they were also taxing the Irish out of all of their income. Due to these harsh taxes and other laws passed from distant England, Ireland was quickly becoming a land of the starving. By 1729, something had to be done, regardless of how drastic it was. Jonathan Swift's 'A Modest Proposal' is a satirical essay that disregards all humanity and morality for the sake of economic gain. In 'A Modest Proposal', Swift proposes that eating the children of the poor is the answer to Ireland's economic problems. Throughout the essay Swift says that he has thoroughly researched this idea. He even goes so far as to give calculations about how many children Ireland could support a year. In this essay we will observe three passages where Swift uses satire to point out the problems facing Ireland and how to resolve these problems. The first situation that Swift creates where moral order is confused is when he describes what delicious meals the children would make. He says that his American friend has told him that a year old child makes a delicious dish, whether stewed, roasted, baked, or boiled. By listing actual dishes people could serve with children, Swift makes it appear that eating infants is practiced in
Imagine you are Hari representing the villagers. Write a speech of protest to the Chief Minister against Industrialization in the village of Thul.
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In the film Hotel Rwanda, the main character changed his own styles just to fit in with the Europeans and think that the Europeans will treat them as if he was a real European. And when times of crisis come along, he finds out
SBHS Bang Lu Film per. 3 10/9/05 Hotel Rwanda Some people can't resist trying to be someone they really aren't. In the film Hotel Rwanda, the main character changed his own styles just to fit in with the Europeans and think that the Europeans will treat them as if he was a real European. And when times of crisis come along, he finds out that the Europeans have always looked down at them. After that, he understands that what he's been doing was not himself and he changes. Paul Rusesabagina, the main character, works as a manager in a hotel in Kigali, Rwanda. Because of his work, Paul interacts with a lot of powerful Europeans and he plans on building it up so he can call them for help if there is any need in the future. Paul wears tuxedos and ties and he thinks that if he did that the Europeans will treat him as if he was one of their people. At that time, genocide between the Hutu and Tutsi people started. Paul's wife Tatiana is a Tutsi and the Hutus are hunting down all the Tutsis, so the safest place for any Tutsi is at the Mille Collines Hotel where Paul works and that is because the U.N. army is there. There were massacres; Hutus killing Tutsis wherever they see one and nothing can be done to stop the killing. More and more people were going into the Mille Collines to hide from the Hutus. With high hopes, the Europeans will be sending an
By comparing the two acts in which the relationship of John and Elizabeth Proctor is particularly highlighted (Acts 2 and 4); explore the ways in which Arthur Miller dramatically presents the changing nature of their relationship.
By comparing the two acts in which the relationship of John and Elizabeth Proctor is particularly highlighted (Acts 2 and 4); explore the ways in which Arthur Miller dramatically presents the changing nature of their relationship As the novel progresses, we can see distinct differences in the relationship between John and Elizabeth Proctor, particularly highlighted in act 2 and act 4. Arthur Miller presents these dramatic changes through a range of different dramatic techniques as well as the language used by the two characters when speaking to each other. In Act 2, the couple seems to be quite distant with each other; the audience are already aware of the relationship between John Proctor and Abigail Williams and so automatically expects tension and a lack of trust between John and Elizabeth. However, in act 4 there is a distinct contrast, where under the severe circumstances, Elizabeth is suddenly able to find her love and passion for John and puts his past behind them. Act 2 opens with a scene of the Proctor's dining room. However, although there is no one present in the scene, Elizabeth's voice can be heard from above singing to her children. At this point in the play, Miller has already created a feeling of suspense and curiosity for the audience, as they already aware of John's relationship with Abigail and so expects tension between the couple but because they
The Black Cat
The Black Cat For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not - and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified - have tortured - have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but Horror - to many they will seem less terrible than barroques. Hereafter, perhaps, some intellect may be found which will reduce my phantasm to the common-place - some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects. From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my
To what extent has the transformation of Emma into Clueless presented new ideas?
Emma/Clueless Notes To what extent has the transformation of Emma into Clueless presented new ideas? - The transformation of Jane Austen's novel 1816 novel, Emma, by Amy Heckerling in her 1995 film Clueless, has presented new ideas to the extent by which it allows us as responders to gain a greater understanding of both the social contexts of Austen's world, as well as that of Heckerling. Through comparison of the ways in which status and wealth, morality and the role of women are examined in both texts, greater insight can be gained of these contexts, and the values and ideas they portray. Wealth, Class and Charity and Morality - Mr Knightley is used as a model of upper class landed gentry, representing the epitome of wealth, class and charity in normal society. This is first and foremost demonstrated in his name, "knightley", as well as his first name, pertaining to King George of England at the time. Emma says of him to Harriett "You will not see one in a hundred, with gentleman so plainly written as in Mr. Knightley." - Knightley is presented in Austen's novel as Emma's moral role model; as much as she enjoys the privileges of her wealth and social status, she does not know at the beginning of the novel the true meaning of charity. Although she is depicted as being "kind to the poor", she behaves uncharitably towards Miss Bates. Knightley's subsequent
The Usage of the Motif of Eyes to Illustrate Defiance, Effects ofRepression and Confinement, and Foreshadow in Federico Garcia Lorca's "TheHouse of Bernarda Alba"
The Usage of the Motif of Eyes to Illustrate Defiance, Effects of Repression and Confinement, and Foreshadow in Federico Garcia Lorca's "The House of Bernarda Alba" Winniarti Donyada World Literature Paper 2 3th May 2005 Word Count: 1,152 Although the human body functions the best when all five senses work, the sense of sight is arguably the most important of the senses. With that intact, it is definitely easier to get by because one will always be aware of the events occurring around him or her. In Federico Garcia Lorca's "The House of Bernarda Alba", the motif of eyes and sight is prevalent, and is used for various purposes: to show rebellion against a greater force, to show the effects of repression and confinement, and as well as a way of foreshadowing. In the play, Lorca could be said to be establishing that confinement and repression from a greater force can lead to one's end, and through the way he uses the motif of vision, he is continuously reinforcing that idea. Because of the authoritarian figure of Bernarda Alba, a strict mother who confines her five adult daughters within the four walls of her house, subtle rebellion, usually through what they see, is the one method that her daughters use to defy her. For instance, Adela, the youngest of all the daughters, once told on her sister, Angustias, "I saw her looking out through the cracks of the back door" (Lorca
How does Jane Austen present the themes of love and marriage in the novel Emma?
Emma Question: How does Jane Austen present the themes of love and marriage in the novel Emma? Answer: Jane Austen's novels incorporate her observations on the manners of her time and class, and while they often relate courtship, love, and marriage, Austen herself never married. In the essay below I will be discussing how the author, Jane Austen, presents the themes of love and marriage in the novel Emma. The novel Emma is about a young woman who is interested in matchmaking. Emma is the central character, who is the daughter of wealthy gentleman, her mother died when she was young leaving her to be brought up by Miss Taylor. The novel is essentially a story of how Emma matures from a clever young woman to a more modest and considerate woman. By using Emma as the central character, using authorial comments, beginning the novel with an example of what makes a perfect marriage and through couples who get married and couples who might have got married, Austen has chosen to present the themes of love and marriage. At the novels beginning Jane Austen introduces things she sees as the fundamentals of a marriage, which are always echoing in the back. In the first chapter the novel's title character, Emma Woodhouse is introduced. She is the youngest of two daughters. She has no mother and a father who imposes no limits on her behaviour or self-satisfaction. While her mother died
Travel writing.
Alex Norwood 10Y1 G.C.S.E ENGLISH COURSEWORK ASSIGNMENT NON- FICTIONAL PIECE - TRAVEL WRITING Burnley born un' bred. Believe it or not, I'm actually quite proud of my home town. I'm also a loyal supporter of Burnley F.C, taking excessive amounts of time and money to travel the length and bredth of the country watching the mighty Claret and Blues - loyal or stupid? Oh how I often wonder . . . And here I am now, sitting in the Bob Lord Stand watching the Worthington Cup tie between Burnley and our neighbours Blackpool. The game isn't so enthralling. My mind is more focused on the 'nitty gritty' of Burnley than the local derby I see before my very eyes. I have to say, the Bob Lord Stand is not really my cup of tea. It is packed to the rafters with what you might call 'old school' Burnley fans (in other words, pensioners). Their routine behaviour is to be honest, quite annoying. They arm themselves with what seems to be the entire stock of Sainsbury's confectionary, and tales of 'the good old days' for 'us young folk'. They continually barrack the efforts of the Burnley players, and follow up their criticism with irratating comments such as 'arry Potts wunt a stud for this shower'. (Harry Potts being the Burnley manager at the time when Burnley FC were actually good). I really do not appreciate pensioners telling me facts and figures what I know already. I know what I would
The reason behind the hobby-horse.
Patty Brown ENL 4230 Dr. Cowlishaw August 3, 2003 The Reason Behind the Hobby-Horse Literature of the Eighteenth Century is characterized by reason, moderation, good taste and simplicity. In addition, the ideals of impartial investigation and scientific experimentation were influential in the development of clear and simple prose as an instrument of rational communication. This dominant and persistent faith in a systemic approach to life, however, does not apply to Laurence Sterne's novel, Tristram Shandy. Sterne, through his digressive narrative style and cast of solipsistic characters, satirizes the scientific and philosophical opinions of his time that rational discourse is the only means by which human communication can exist. The story itself, written as a fictitious autobiography, is of secondary importance to how it is told. Where traditionally novelists construct their details to achieve a consistent verisimilitude, Sterne's aim is toward coherent disorder. Tristram Shandy deviates from the linear nature of traditional discourse by allowing digressions to obtrude themselves into the novel as naturally as it does into one's mind. In his "chapter upon chapters," Tristram addresses the unorthodox style in which his novel is being constructed by declaring, "is a man to follow rules-----------or rules to follow him?" (204) This declaration is in
