Explain how Mary Shelley Develops the Gothic Genre in chapter 4 and 5 of Frankenstein

Explain how Mary Shelley Develops the Gothic Genre in chapter 4 and 5? Frankenstein: a modern Prometheus Frankenstein: a modern Prometheus, written in 1816, comes under the Gothic or gothic horror genre meaning it has both elements of horror and romance in it, it looks into science, life and death and religion. Other gothic novels include; Dr. Jekyll and Mr. Hyde, Bram Stokers Dracula and the tell tale heart, it is said that Horse Walpole discovered this genre when he wrote his novel in 1764, the castle of Otranto. He used terror and an extension of romantic pleasures, which were relatively themes new at the time; melodrama and parody were no longer features of gothic. Instead he associated gothic literature with the gothic architecture, hence the castles that usually feature in gothic novels. Mary Shelley had a lot of influence when she was writing Frankenstein; the eight-teen year old had a very wide knowledge of the scientific endeavours and experiments that were being carried out at the time. Her father would always insist that she would be around when ever there was a philosophical debate held in the household. There were some notable characters that were around in Mary Shelley's time that could have been inspiration for Dr. Victor Frankenstein. One of the most famous was Aldinei Galvani was one of the most gruesome and macabre scientists, he once preformed an

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Looking particularly at chapter 5 of the novel 'Frankenstein' explore how Mary Shelley creates feelings of horror and foreboding in the reader.

Looking particularly at chapter 5 of the novel 'Frankenstein' explore how Mary Shelley creates feelings of horror and foreboding in the reader Mary Shelley creates horror and foreboding throughout the novel, particularly in chapter 5. This is the point where the creature comes to life. This is done by using traditional gothic horror conventions, creating a characterization of the creature, by contrasting light and dark, alluding to others pieces of literature and developing the theme of responsibility for ones actions. Mary Shelley, born in the early 1800s, first came across the idea of writing the novel from her unusual background she experienced whilst a child. Her mother died during childbirth, leaving Shelley to live with her father and step-mother. Shelley was very interested in science; this has also influenced her novel. Shelley creates gothic feel by using great detail while setting the scene. "It was a dreary night of November..." This helps the reader to imagine the scene and to involve them in Frankenstein's pursuit and awakening of the creature. The eerie feel is made clear to the reader, by the use of candle light. She writes, "My candle was nearly burnt out..." The reader may associate candle light with the gothic theme. The characterization of the creature creates a scene of horror by Shelley describing the "Lifeless thing" in detail. "I saw the dull eye of

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How does Mary Shelley make the description of the monster waking in chapter five of "Frankenstein" powerful and dramatic

"How does Mary Shelley make the description of the monster waking in chapter five powerful and dramatic?" Frankenstein was written by Mary Shelley, in the year 1816. It was decided upon, one stormy night in Geneva, that her, her husband and two others would all write horror stories for each other. Mary then got her inspiration from sciences at the time, like Galvani's theories of electricity's effect on animal bodies and muscles reaction to a stimulus. The type of gothic literature that Shelley wrote is a prime example of the dark and dismal writing of that period. Shelley went on to write the epic piece of gothic horror - Frankenstein. Chapter five is a very important chapter in the play, Frankenstein's struggle is finally over, and the monster finally lives. However, not everything turned out the way Frankenstein wanted to, and answers to his questions such as "where does life begin" have not been found. Shelley uses lots of informative adjectives to make the chapter seem more dramatic, for example, she says the monster has "watery eyes" and "black lips". This tells us how Frankenstein had tried to make the monster beautiful, but in the process had made the monster grotesque by bringing the different body parts together. This creates a very powerful image in our minds of what the monster looks like. Shelley also creates a very dramatic atmosphere by using pathetic

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With Relation to social/historical context, how does Mary Shelley explore the theme of monstrosity in chapter five of Frankenstein?

With Relation to social/historical context, how does Mary Shelley explore the theme of monstrosity in chapter five of Frankenstein? The story of Frankenstein is a tragic tale whereby an obsessive scientist named Victor Frankenstein works night and day, isolated from his friends and family to bring a human to life. At the time of the story being written, England was undergoing a great industrial revolution which resulted in many scientists thinking up new inventions and ways to make life better. Victor's longing to create life begun after his mother, whom he was very attached to, passed away. He wished to end death and sadness and gain the ability to create new life scientifically. This was and still is frowned upon by some audiences as it was seen as 'Playing god'. In the beginning of the fifth chapter, tension is built up as Victor starts work on 'a dreary night of November' on the monster. The fact that Victor works by night suggests that he shouldn't be doing what he is. Furthermore the tension is continually built up as Victor attempts to bring the creature to life, 'It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out'. This description emphasises on the dull, rainy night, which sets a very grim atmosphere. This signals that things are not going to go well. The setting is very miserable. The words that

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Lord of the Flies Chapter 5 and 6

Discuss how Golding presents the beast in Chapter 5 and 6 and how the boys' comments reflect their characters and roles. Include at least one comment on the setting and the conch. Throughout chapters five and six Golding shows how the society and civilisation of the boys deteriorates. Golding illustrates the inhospitable parts of the island and the violent sea effectively by describing the "darkness of the island" and the "tide coming in". The setting of the discussion is eerie because it is late at night and gloomy, with shadows of faces created by the "declining sun". This adds to the growing tension of the group and there is disorder amongst the boys as they mock and argue with him Ralph. He wants to emphasis the importance of law and rules in the group in order for them to eventually be rescued, and he is frustrated because the community is disintegrating. He believes the reason for this is the beast and the fear so he brings up the subject and allows various boys to voice their opinions and attitudes which reflect their different characters. The conch is taken from him by Jack who makes a strong and passionate speech, in complete contrast to Ralph's serious talk. He shouts at the littluns to put up with the fear if they are scared, just like the rest of the boys, exclaiming that they are "cry babies and sissies". He asks the boys if he is a hunter and they reply in

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Frankeinstein. Look at the significance of Chapter 5 to the novel as a whole. Focus on the relevance and effect of writers use of language to describe setting, character and what it shows about social and historical influences.

        FRAKENSTEIN.         ENGLISH COURSEWORK                                                   Look at the significance of Chapter 5 to the novel as a whole. Focus on the relevance and effect of writer�s use of language to describe setting, character and what it shows about social and historical influences.                               The novel Frankenstein was created by a woman named Mary Shelley. She made up the tale when telling ghost stories with her family, who later told her she should publish the story because it was good. She officially published her story in 1831.  �Frankenstein� or �The Morden Prometheus� is about a young student � Victor, who discovers the secret of creating a new life, and by gathering body parts he creates a monster who promises revenge on his creator after being rejected from society.  In the novel, chapter 5 is seen as the key chapter for the reason that this is where the real story about revenge and consequence begins. In this chapter we (the audience) are introduced to the gothic genre of the novel �It was on a dreary night

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Frankenstein. Look at the significance of chapter five to the novella as a whole. Focus on the effect of the writers use of language to describe sittings and characters. How does this contribute to the gothic genre?

Novel: Frankenstein Look at the significance of chapter five to the novella s a whole. Focus on the effect of the writer's use of language to describe sittings and characters. How does this contribute to the gothic genre and what does it demonstrate about social and historical influences? Frankenstein or the "Morden Prometheus" was published in 1818 by the author Mary Shelley she became well know for the gothic horror Frankenstein. The key message of the novel that Mary Shelley is putting across to the reader is that people should not play God. People started to become extremely terrified of the idea that life could be crated by mankind without a man, woman and God. Mary Shelley experienced a lot of misfortunes in her life as her family members died at a young age; this may have lead her to write this novel as it also has horrifying events, also she had a lot of knowledge about science. At that time science was very advancing meaning that the idea of creating became possible. Mary Shelley may have got the inspiration to create such a fascinating gothic horror novel from the misfortunes she experienced in her life and the advancing science at the time. Shelley depicts Frankenstein as being adamant he wanted to create life. His obsession took the better of him, he neglected everything just to accomplish his dream. This is shocking to the reader. He thinks that he could

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Compare the two chapters which describe the creation of Frankenstein(TM)s monster.

Compare the two chapters which describe the creation of Frankenstein's monster. Why does Mary Shelley give us both points of view? Mary Shelley began writing Frankenstein; or the Modern Prometheus in the year of 1816 during the early phase of the industrial revolution. The anecdote of scientific discovery was first emancipated to the public in 1818. After thorough reading of the gothic novel I will pen an essay analysing the similarities and differences of two chapters (5 and 11) which describe the creation of the monster. My essay will include a conclusion as to why Shelley gives her readers both points of view. The novels subtitle 'The Modern Prometheus' is a reference to Greek mythology. Prometheus in one version was the titan who created mankind (which Victor attempts to do in Shelley's novel). In another version Prometheus was viciously punished by Zeus for providing man with fire. Prometheus was fastened to a rock where his liver would be continually devoured by a predatory bird. Both could be related to Shelley's novel and throughout my essay I will prove this. Mary Wollstonecraft Shelley was born in 1797 in the tow of Somers, in Great Britain. Her mother Mary Wollstonecraft (author and feminist) unfortunately died as the result of Mary's birth. Her father and resented stepmother cared for her. In the year 1813 Mary Shelley's luck changed; she met a poet by the

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Chapter five is the pivotal point in the book, it's the point when Frankenstein creates the monster and his actions set off what's about to happen throughout the book.

Frankenstein Mary Shelley was a British novelist. Her father was a political philosopher and her mother was also a philosopher and a feminist. Her mother dies whilst she was a baby so she and her half-sister were raised by her father. As the daughter of a political philosopher she was exposed to many of his theories. In 1814 she began a romantic relationship with one of her father's political followers. She continued her relationship with Percy Shelley although he was married and later became pregnant with his child - for which they were ostracised - however their prematurely born daughter died. Later when Percy's wife committed suicide they married, and it was in Geneva, Switzerland that Mary Shelley came up with the idea for Frankenstein. Chapter five is the pivotal point in the book, it's the point when Frankenstein creates the monster and his actions set off what's about to happen throughout the book. It's where he chooses to reject the monster and so trigger the monsters hate for Frankenstein. On the night that the monster is brought to life the language used creates a setting that foreshadows what's about to happen. Starting with how Shelley describes the outside as a "dreary night of November" the fact that it's in November immediately makes everything seem colder and darker, as if everything is dulled. Adding that it is a dreary night adds to this dull darkness.

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"Who is the Real Monster in Frankenstein, Victor or his Creation?"

"Who is the Real Monster in Frankenstein, Victor or his Creation?" Mary Shelley wrote the novel Frankenstein in the early part of the nineteenth century. The novel was written at a time when Mary Shelley and her husband Percy were staying at the home of Lord Byron on the shores of Lake Geneva. Mary Shelley was born in 1797, her mother died shortly after her birth. As a child the idea of republicanism was implanted into her by her father. Her mother had been an early women's rights campaigner and had written several books on the subject. Her father, on the other hand, was very interested in alchemy and Galvanism. Galvanism was the idea of running electric currents through a body to restore it to life, invented by Luigi Galvani. In Frankenstein we are told of a man who creates a life. This creation is perceived by society and his creator to be a monster. Mary Shelly's Frankenstein explores a wide variety of themes, and raises some serious ethical issues. One such issue that comes up time and time again is that of who the real monster is, but what is a monster? The word monster can be described as behaviour crossing the boundaries of acceptability or seeking knowledge which should remain a mystery. For example in the novel Victors curiosity to follow ambitions no matter what the consequence. Stereotypically monsters appear ugly or abnormal. Over time the meaning of the word

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