"He have goodness now. God forbid I take it from him!" What leads Elizabeth Proctor to make this powerful and disturbing comment on her husband's decision and why do you think Miller lets these words bring the play to an end?
"He have goodness now. God forbid I take it from him!" What leads Elizabeth Proctor to make this powerful and disturbing comment on her husband's decision and why do you think Miller lets these words bring the play to an end? I think Miller ends the play with these words to show that Elizabeth has forgiven John of his adultery and that John has finally after a lot of mistakes made the right moral decision- which has given him back his ''goodness''. The word goodness has many different meanings. Its first meaning is the state or quality of being good. The second is generosity or kindness; the third meaning is moral excellence, piety, or virtue. The fourth meaning is a euphemism for God: used as an exclamation of surprise (not relevant to this) and the final meaning is 'what is good in something; essence. Different definitions of goodness can be applied to different characters within the Saleum community: For Reverend Hale it may mean moral excellence as he takes on the role of a judge in court. For Elizabeth Proctor it would be appropriate in several ways because she has unshakable religious faith (piety), is honest, never lies, leads a moral life following the ten commandments but stands in judgment on her husband. For John Proctor he is basically a moral man, despises greed (i.e. Reverend Parris demand to own the preachers house), he is rational rather than
"He inspected us all right..." Write an essay examining how one character is affected by the Inspectors visit.
English Essay: An Inspector Calls "He inspected us all right..." Write an essay examining how one character is affected by the Inspectors visit. The play "An Inspector Calls" was written in 1946 the playwright of this play was J.B Priestley, he had survived both world wars. He was a firm believer in socialism and capitalism. This play deals with the death and destruction that can be caused by both capitalism and socialism. The family were as solid as a rock before the inspector visited. The inspector was a destructive character for the Billings; however he is not portrayed to be a bad character. He is portrayed to be the truth finder and the fact that he is an inspector makes the audience aware of his authority. Sheila was brought up in a high middle class family background. She is used to the finer things in life as her family is rich. Her family lives in a "fairly large suburban house." Sheila is engaged to Gerald Croft, this engagement was more of a business merger than a marriage. Sheila's father is very business minded as he is a "hard nosed business man." In the play Mr Birling suggests the "Crofts and the Birling's are no longer competing but are working together." Before the Inspector came on his disastrous voyage through the Birling family, Sheila was cheerful and in high spirits. She was cheerful because she was to get married to a young and handsome Gerald
"Heroines Retreating into Illusion in two of Tennessee Williams's plays".
"Heroines Retreating into Illusion in two of Tennessee Williams's plays" This essay studies Williams's heroines who are unable to face their reality so they retreat into illusionary worlds created by themselves. Laura in The Glass Menagerie and Blanche in A Streetcar Named Desire are the most outstanding examples. They are so fragile that facing reality will destroy them. Their creation of illusions makes them feel safe away from the real world they cannot cope with, and the harsh realities that destroy both their dreams and hopes. In the Wingfields, Laura is the lost child. Because of being crippled, she cannot face the outside world. She is always afraid of relationships and is terribly shy. In addition, she always feels rejected and inadequate. In short, she has an inferiority complex. Her only way out is to retreat into a world of her own creation. Living in a world of tiny glass animals is her way of escape. "They are her escape mechanism as the movies are Tom's and the past is Amanda's" (Griffin 29). Those glass animals stand as a symbol of Laura herself. They are so fragile, and even unique. Her separation gradually increases till she becomes like a piece of her glass collection. " she lives in a world of her own- a world of- little glass ornaments,...she plays old phonograph records and-that's about all..." (scene five) Laura is totally unable to
"Hobson's Choice" by Harold Brighouse, a summary.
During the previous English lessons we have been reading the play of "Hobson's Choice" by Harold Brighouse furthermore have watched the original film. A theatre critic Nightingale said "the play chronicles a shift between the generation and the sexes" but I believe that he should have added another one "class". Brief summary of play This play is set in Victorian Salford in Manchester. A man called Henry Horatio Hobson who owns a shoe shop. He has 3 daughters who he wants married off (Alice, Vicky and Maggie) with the exception of the eldest Maggie who is 30 years old because he thinks she is too old to get married and she does all the house work and minds the shop while he goes to the Moonrakers and gets drunk. Maggie decides to propose to Willie to get wed Hobson does not like it at all so they walk out to open a rival shoe store with the help of a rich women called Mrs.Hepworth. Class The issue of class is illustrated well throughout the play. Firstly when Hobson makes a fool of himself when Mrs.Hepworth, a very important high class wealthy lady enters the shop to praise Wille for his work on her boats. It is irregular for a high class person to do this to a lower class worker. Tubby Wadlow a worker tells her that Willie has made the pair of shoes than Hobson rudely comes in to the conversation get the wrong impression about what she is saying and begins to talk that he
"How Are Truth and Lies Conveyed in 'The Crucible'?"
Havering Upminster Gaynes 12847 Candidate Number: "How Are Truth and Lies Conveyed in 'The Crucible'?" Arthur Miller was a Jew living in 1950s America. At this time, the Senator, Joe McCarthy, led an anti-communist movement. American citizens would be forced to give all names of people involved in un-American activities. If those accused did not stand before the committee, they would be blacklisted and they would have problems finding jobs. Arthur Miller himself was accused of communism and he wanted to display his feelings about this matter. The story, 'The Crucible' is based on fact but it is an allegory. Miller used an event, the Salem witch trials, which occurred many years before, to reflect his views on the anti-communist hysteria. He believed that both events were very similar in the way that both involved people accusing others to protect themselves. The play is set in Salem, Massachusetts, which was a theocratic society, which means that it was governed by the church. It was a very strict society and no pleasure was tolerated. In fact, people who indulged themselves in pleasure would be excommunicated. People at that time would have believed in witchcraft and the supernatural, and they would accuse people they didn't like of being witches because they knew that it would be regarded as a very serious crime and the punishment would be severe. The
"How did the production convey J.B. Priestley's social message in 'An Inspector Calls' "?
GCSE ENGLISH - DRAMA COURSEWORK ASSIGNMENT By Charlotte Holt "How did the production convey J.B. Priestley's social message in 'An Inspector Calls' "? The production of 'An Inspector Calls' showed what J.B. Priestley thought of British society. The play could be seen on two different levels. One level is the fairly straightforward idea of 'whodunnit', the mystery story approach. On a more significant level, the play can be seen as a criticism of the way society is organised. Priestly, being a socialist, believed in equal rights and opportunities for everyone. He disapproved of the British class system and wrote this play, along with many others, to try and get across his socialist message. The play was written and set at two different times. It was written in 1945 at the end of World War two, but it was set in 1912 in the Edwardian period, just before World War One. His reason for doing this was that in Edwardian times, if you were poor, there was no one in society to help you. No NHS, low life expectancy, no Social Services - if you lost your house or had problems with children there wasn't any help. Education was not available to the poor as they were needed by their parents to work, Trade Unions were in their infancy - very new and weak organisations, and if you were treated unfairly at work or lost your job there was nothing to fall back on. Priestley set it at this
"How does Alan Bleasdale create pity for Yosser in "Yosser'sStory"?"
"How does Alan Bleasdale create pity for Yosser in "Yosser's Story"?" Alan Bleasdale created "Boys from the Black stuff", a 5 part very touching story about unemployment in the 1980's in the heart of Liverpool. One of the four stories, "Yosser's Story", follows a man struggling to find a job and look after his three children! It was made into a verisimilar T.V. play in 1982.A T.V. play shows the reactions of Yosser close up. We get to take a journey in his mind and feel the emotions he feels. Using a range of techniques, Alan Bleasdale makes us feel pity for Yosser throughout this story. Irony is created quite often for Yosser using juxtaposition. We are given evidence of this in scene 12 and 13. In scene 12 we see Yosser trying to assert himself that he can cook and that he isn't a failure, while doing this he clearly tells himself, "Sod the chippy"(sc 12). However in scene 13 we cut to see Yosser and his children coming out of the chippy. This shows Yosser's failure to even cook a simple meal for himself and his family. These two scenes are very powerfully juxtaposed to create a pathetic moment for the character of Yosser. The anacalutha in Yosser's speech shows that he may be afraid of something. The examples in scene 29 prove that he is self conscious in talking to the priest. We can tell this by the way he stutters as he approaches the confession box, "Father,
"How does J.B Priestley end each act on a note of high drama?"
English essay: "How does J.B Priestley end each act on a note of high drama?" Introduction The play starts off with the setting of an apparently normal family, the Birlings. They are celebrating Sheila Birling's engagement to Gerald Croft , the son of Mr Birling's friendly business rival. At first it appears as though nothing is wrong until an Inspector appears from seemingly no-where ,claiming to be investigating the suicide of a young girl. From this point on the tension in the play builds as one by one the characters are interogated by the Inspector.The highest points of tension are at the end of each of the three acts and Priestley does this in a number of different ways. Act one One of the first things Priestley does to set the scene would be the lighting.At first it would be bright and cheerful ,with colours such as white,yellow and pink.But as the play goes on and reaches the climax the lighting changes and thus does the mood of the audience. It is Birling's speech in Act 1 that sets the scene for the action in the play. Birling is confidently talking to Eric and Gerald about what he thinks about the future.He thinks of everything as though it is business and openly gives Eric and Gerald advice that every man has to look out for himself ,which may leave the audience wondering if this good advice or not. During the early stages of the first act Sheila hints at a
"How far is the Inspector an 'embodiment of a collective conscience' (Gareth Lloyd Evans)?" Consider the Ways in Which JB Priestley Develops the Inspector's Dramatic Impact in the Play
"How far is the Inspector an 'embodiment of a collective conscience' (Gareth Lloyd Evans)?" Consider the Ways in Which JB Priestley Develops the Inspector's Dramatic Impact in the Play In this essay I will consider the way in which JB Priestley presents the character of the Inspector and how he develops his role throughout the play. I will study the Inspectors role through each Act, in detail, and the effect of his presence and questioning on the Birling Family group. I will also look at how far Priestley displays the Inspector as 'an embodiment of a collective conscience'. In Act One, from the point of entry the Inspector begins to affect the family group. He enters at a critical point during Mr. Birling's speech when he sums up his ideas and thoughts on how "A man has to mind his own business and look after his own" (p.10). This speech shows Birling for who he really is; rather pompous, opinionated, bombastic and self-centered, and also makes the audience aware that he will be the main opposition to the Inspector. As soon as the Inspector enters the atmosphere of the room changes, Priestley shows in the stage directions that 'the lighting should be pink and intimate until the Inspector arrives, and then it should be brighter and harder'. This makes it seem as though the room and its occupants are moving from their delusional happiness about life and the engagement, more
"How far Nora is a tragic heroine in Henrik Ibsen's "A Doll's House"
IB Oral Oral Exposé on - Presentation Date: March 3rd-7th 2003 "How far Nora is a tragic heroine in Henrik Ibsen's "A Doll's House" On a frigid April day in 1864, Henrik Ibsen arrived at the docks in the Norwegian capital of Oslo (then called Christiania). The young man was a failure. The theater he'd run had closed, and none of his own plays were successful. Disillusioned by his country and society, Ibsen, together with his wife and son, boarded a ship and left Norway, figuratively slamming the door behind him. Fifteen years later a similarly disillusioned Nora Helmer would slam the door on stage at the end of A Doll's House, helping to change the course of modern drama. Good Afternoon Ladies & Gentleman, today I will be doing an oral exposé on How far Nora Helmer is a tragic heroine in Henrik Ibsen's "A Doll's House". The tragic events in a play enable critics to consider it a "tragedy", one which to some extent follows and diverges from the Aristotelian definition. Aristotle believed that tragedy must revolve around a central character known as "the tragic hero, on whom the plot focuses and who exhibits certain characteristics, which leads to his, though in this particular case, her downfall. A tragic heroine is the female version of a tragic hero and is defined as one who tries to remain true to oneself and will do anything to preserve herself. The use of the