Who Was Responsible For the Deaths of Romeo and Juliet?
WHO WAS RESPONSIBLE FOR THE DEATHS OF ROMEO AND JULIET? This piece of coursework is focusing on the deaths of Romeo and Juliet, and who was responsible for it. The people who had a part in the deaths of Romeo and Juliet are Friar Lawrence, Benvolio, Tybalt, Capulet and Nurse. The first person I will be focusing on will be Friar Lawrence, looking at his part in the suicides of both the lovers, what he did to put them under pressure and the things that he shouldn't of done which may have let to the death. The main reason Friar Lawrence had a part in the suicides of Romeo and Juliet was because he got involved when he knew the consequences wouldn't be good. It was Friar Lawrence who married Romeo and Juliet; he had the plan to use the sleeping potion so that Juliet could run off with Romeo while the grieving Capulets believed she was dead, and he tried to send a letter to Romeo informing him of the plan, which didn't reach him. By marrying the lovers, he took a step in the wrong direction, he only thought of how the consequences would be good, by marrying Romeo and Juliet; he thought that that could bring the two feuding families together so they could make up and be friends he was quoted as saying " For this alliance may so happy prove, To turn your households' rancour to pure love"(Act 2 Scene 3/4). But he didn't think of what could go wrong. By marrying Romeo and
All About Iago
Period 2 Othello Character Analysis Essay All About Iago In Shakespeare's Othello, Shakespeare develops Iago's character using events in the play, other character's opinions and Iago's voice. Iago's character seems untrustworthy from the start of the play, although other characters believe him to be honest. Shakespeare builds Iago's character by giving the reader the knowledge of Iago's manipulation and motifs. Many characters in the play believe Iago to be honest. Othello states many times that Iago is honest, for example in Act I Scene 3, Othello says "Honest Iago, / My Desdemona must I leave to thee: / I prithee, let thy wife attend on her". Othello trusts Iago enough to leave his wife to Emilia, who he only knows through Iago. Cassio even thinks Iago to be honest. He says "Good night, honest Iago" (2.3.335), in his drunken state after proclaiming his love to Iago. Iago is not only considered honest by other characters. He is also perceived as vulgar at times. Brabrantio asks "What profane wretch art thou?" (1.1.113), when Iago makes a sexual comment regarding Desdemona and Othello. Iago says vulgar things and knows exactly how he is perceived. He is manipulative with his words, tricking others into believing what he wants them to believe about him and the other characters. Iago even knows that others see him as an honest man, he knows exactly what he can do with
Explore Shakespeares presentation of Lady Macbeth and the witches. How might the presentation of female characters in Macbeth appeal to an Elizabethan audience?
Rio Poulton Explore Shakespeare's presentation of Lady Macbeth and the witches. How might the presentation of female characters in 'Macbeth' appeal to an Elizabethan audience? Macbeth is a tragic play written by Shakespeare to entertain King James. As the play is a tragedy the play must have a down fall. There are different themes which are shown through-out the play such as murder, ambition and events that involve supernatural. Supernatural in presented in the play, because in 1606 when it was preformed people of those days believed in a lot of supernatural, witches and ghosts. These themes play a big part in the play. The play involved king James' ancestors but King James didn't not know this as it is based on a true story but Shakespeare changed all the things about the play that would give it away that it involved King James and his family. In act 1 Scene 1 Shakespeare begins with the three witches as it brings the theme of supernatural which people where interested in back then and drags the audience in as they now know that anything could happen. Pathetic fallacy is used to create tension at the start of the play. The thunder and lightening which connects to the witches and this is the sort of pathetic fallacy that you would expect to see if anything like witches are involved as witches are known to be evil and nasty and this means that the weather links with them
How does Shakespeare use imagery in his play Romeo and Juliet to intensify the drama, create atmosphere and illuminate the central themes?
GCSE Coursework: Shakespeare - Romeo and Juliet How does Shakespeare use imagery in his play Romeo and Juliet to intensify the drama, create atmosphere and illuminate the central themes? In Shakespeare's "Romeo and Juliet", Shakespeare uses imagery to create atmosphere, intensify drama and illuminate central themes. By using a variety of metaphors, dramatic irony, use of figurative language and his explanation of poetic forms he conveys meaning and character excellently. He incorporates all of these dramatic devices and more to convey the plot and reveal those things that were Elizabethan concerns. Shakespeare starts the play with a prologue. This was very popular in Shakespeare's time and he uses a sonnet to imply love because it was established as a poetic form for love and devotional poetry. It's used to set the scene and describes what is going to happen. It describes Romeo and Juliet as "Star crossed lovers"; this shows the audience the play is going to be about romance but also despair and feuds and not being in control of one's own destiny. The sonnet shows Shakespeare's ability to distil the essence of language and draw the audience into the action. Using the sonnet Shakespeare achieves the 'suspension of disbelief', which shows his class as a writer because it highlights the theatricality of the play, to show the audience that the play is completely fictional.
Commentary on Macbeth soliloquy Act V scene V"To-morrow, and to-morrow, and to-morrow,Creeps in this petty pace from day to day,
Commentary on Macbeth soliloquy Act V scene V "To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow; a poor player, That struts and frets his hour upon the stage, And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing. " Soliloquy is a speech made by a character alone on the stage or thinks she/he is alone. Through soliloquy, the audience gains an honest and direct experience of that character's mind. In this particular soliloquy, Macbeth expresses overwhelming despair. This soliloquy encompasses the entire experience of Macbeth's kingship, short to the entire play. Imagery, time, dictions and repetition each have its constituency in shaping this important soliloquy. The passage reveals to the reader the despair and desolation of Macbeth just before the deciding battle with Macduff and Malcolm. Just before the soliloquy, Macbeth has been informed that Lady Macbeth is dead. The sudden departure of Lady Macbeth marks the lost of Macbeth's only love and trusty as well as the ties to the world. By now, Macbeth is all alone, as most of the previously mentioned Thanes have taken side with Malcolm. After this soliloquy, Macbeth is
In this essay I am going to discuss Macbeth's character and behaviour at the beginning of the play and compare it to his behaviour at the end of the play.
Holiday Homework In this essay I am going to discuss Macbeth's character and behaviour at the beginning of the play and compare it to his behaviour at the end of the play. I intend to do this by examining his character as the play progresses and then forming a conclusion at the end. Macbeth is a classic tragic figure brought to ruin by his own greed, guilt, and fear. Shakespeare intensifies Macbeth's tragic nature by showing him to be a valiant hero in the beginning of the play. He is a courageous warrior and one of King Duncan's best generals. In the second scene of the play, Macbeth has just won his most important battle and saved Scotland from the Norwegian King. To honour his bravery, King Duncan gives Macbeth the title of Thane of Cawdor. This is one of the first steps to Macbeth's undoing, for he longs to be more than just a thane. His innate greed is first inflamed by three wicked witches who prophesy to Macbeth that he will become Thane of Cawdor and then King of Scotland. When the first prophecy comes to pass, Macbeth immediately begins to long for greater power. He realizes that in order to seize the throne from the king, he will have to murder him. Being a basically kind man, he is horrified at his own thoughts and decides murder is beyond his capability. He decides to let fate take its course, and if he is meant to be king, it will happen. But the seed of greed
'Antony's use of rhetoric in Act3, Scene2 is more effective than Brutus'.
'Antony's use of rhetoric in Act3, Scene2 is more effective than Brutus'.' To what extent do you agree with this statement? 26 If one considers merely the apparent 'winner' of the argument in Act 3, Scene 2, then Antony is the obvious choice as the better orator. However, Brutus probably had a more difficult job as he had to convince the crowd to forgive him for the murder of the (effective)1 head of the Roman Empire. In fact, the use of rhetorical devices in both speeches is extensive and generally well balanced. This has been affected by the order in which the men spoke to the crowd, which could, to some extent, alter the opinion of the rhetorical devices used. Rhetorical devices in the passage are well used, especially in the case of Antony and his use of pathos, although one may argue that in this instance pathos is particularly easy to use. An example of pathos2 is,'...I should do Brutus wrong and Cassius wrong (who you all know) are honourable men. I will not do them wrong; I rather choose, to wrong the dead, to wrong myself and you, then to wrong such honourable men.' This quote in some ways appears at first glance to be pro-Brutus but the undertones are more malicious and if said in grief3, could evoke powerful emotional reactions from the audience which is one of Antony's main objectives, so to make the plebeians4 turn against the conspirators in their, and at the
How do we know that Othello and Desdemonas relationship Is ruined at the beginning of the play?
How do we know that Othello and Desdemona's relationship Is ruined at the beginning of the play? Shakespeare sets the opening of "Othello" at night and when Iago and Roderigo was talking about Othello's marriage with Desdemona, Iago plans to bring Othello's downfall, and since Roderigo, who is in love with Desdemona, manipulates Roderigo to thinking he will have Desdemona if he works with him. Shakespeare also makes good use of dramatic irony in the play since the audience knows about Iago's plan to destroy Othello. Along with this, the audience also knows that Iago is really crooked and the dishonest one. The audience knows all of Iago's schemes and lies. This is also dramatic irony because Iago is in no way honest, he has been and continues to lie to Othello throughout the play; however, Othello has not yet figured that out. Shakespeare presents Iago as a villainous person and has him as the main role in destroying Othello and Desdemona's relationship. The reason for Iagos hatred for Othello is because (in his soliloquy), Iago tells us of his suspicion that Othello has slept with his wife, Emilia: "And it is thought abroad that `twixt my sheets He has done my office." At this point we start to become more aware of his jealous nature and suspect that it may be based mostly on his paranoid mind. Not only does he believe that Othello has slept with his wife he also
Shakespeare(TM)s Much Ado about Nothing Directors Essay: What advice would you give to Beatrice when responding to Benedick?
Shakespeare's "Much Ado about Nothing" Directors Essay "What advice would you give to Beatrice when responding to Benedick?" Arguably, Beatrice can be considered to be the main character in Shakespeare's "Much Ado about Nothing". Through her melodrama, Shakespeare provides us with a rare and lovable character. Hence, great care should be taken to direct her, especially in response to her lover, Benedick. Unlike most women during that era, Beatrice shows no fear towards men, let alone considers herself as inferior. The privet conversation between Beatrice and Benedick displays this: "It's a man's office, but not yours". The sentence is purposed to challenge Benedick of his manhood, hence, the break in this line can be exaggerated, by speaking the latter phrase in a slow tempo with a harsh tone. Also, Beatrice should look upon Benedick eyes whilst speaking this line and point at him, as this will bring their love relationship into Benedick's mind. If these actions are followed, even the audience should be shocked, as this was a very daring phrase for a woman to say. Just as she persuades Benedick to do her bidding, she hands him a grave task: "Kill Claudio" The line is very short and therefore breaks any flow in their conversation, y pausing the play and allowing time for the audience to absorb the surprise behind these words. Also the alliteration of the two "K-" sounds
Discuss Shakespeare's treatment of courtship and marriage in "Much Ado About Nothing". In your essay you should refer to modern interpretations of the play and consider the context in which they were produced as well as the context of the original play.
Discuss Shakespeare's treatment of courtship and marriage in "Much Ado About Nothing". In your essay you should refer to modern interpretations of the play and consider the context in which they were produced as well as the context of the original play. In 'Much Ado About Nothing' there are two love interests on which the play is mainly focused. The courtship between the two couples Beatrice and Benedick and Hero and Claudio gives the audience a glance at two completely different forms of love. The relationship between the characters Claudio and Hero is one which is very traditional and a very safe way of communicating their feelings to one another. Shakespeare borrowed the story of Hero and Claudio from a man called Matteo Bandello, this shows that this may not be his own view of how love should be expressed. He did however invent the story of Benedick and Beatrice; this may mean that he believes that the way in which love is expressed should be much more spontaneous and heart-felt. The way that Beatrice and Benedick treat each other offers humour as this is one of Shakespeare's comedies whilst also providing a relationship which seems much more modern and extraordinary for the time. The courting between Beatrice and Benedick is slightly vicious as they seem never to compliment each other but instead comment on each others faults 'he is no less than a stuffed man' and the
