Describe the importance of Sheila's role in the play An inspector calls.
Describe the importance of Sheila's role in the play.-Michael Rowell At the beginning Sheila was not one of the main characters as Birling takes centre stage. Setting on the play seemed revolved around the characters. The older furniture in the living room matched the aging and upper class type that is Birling. During the play Sheila is the only concerned and totally serious character to the situation. There are some well linked scenes in the play setting a mood for Sheila with the marriage, her husband to be Gerald. The pink light in the house makes Shila feel more relaxed as the set looks almost like a love scene. During the play, Sheila is the main link between the Inspector and the Audience. She constantly changes and develops as the Story is told. From a happy normal women whose about to get married, changing stance with knowledge of the affair becoming disappointed and heart broken and then finding out that she had contributed to the Eva Smiths death making her emotions dramatic and to the audience she is the thoughtful character that everyone loves. There is great irony in Sheila's character as when the Inspector first comes round and as he is questioning Birling, she says how mean he is like "I think it was a mean thing to do" and "But these girls aren't cheap labour- there people" which is her having a go at Birling still going along with what the audience is
Consider the end of Millers play A View from the Bridge. How effectively does the final scene conclude the drama?
Consider the end of Miller's play 'A View from the Bridge'. How effectively does the final scene conclude the drama? 'A View from the Bridge' provides the inevitable ending of a traditional Greek tragedy, where in this case Eddie's inability to make a concession eventually results in his deserved death; although tragic, this is necessary to conclude the story. As a lawyer, we immediately trust Alfieri to be a good judge of character as well as rational. Along side this we watch Alfieri oversee the whole play and watch it 'run it's bloody course' whilst acting as the commentator throughout the story Which leave him in some sense, acting as the bridge; seeing both the darker side (Redhook) and the somewhat innocent side (Manhattan) but he links the two together. He is the only character that predicts the outcome of Eddies and Marco's actions and, thus tries compassionately to stop them from committing further insult to one another. In Alfieri's opening monologue he uses words like 'disaster' and states that Eddie was 'unable to settle for half', which consequently, results in his 'bloody' death. The audience could also relate this story line to Vinny Bolzano's, where he was severely punished for 'snitching' on his immigrant family, which sadly resulted in him being thrown down the stairs 'head bouncin' like a coconut', this would indicate to the audience that Eddies actions
How does the character Sheila Birlings change in the play An Inspector Calls?
How does the character "Sheila Birling's" change in the play 'An Inspector Calls'? The play 'An Inspector Calls' was written in 1945 by J.B. Priestly, but it was set in 1912. At this time society was capitalist, there were very strong distinctions between upper and lower class people, industry and agriculture were privately owned and wealth was not shared equally. The play centers on the Birling family headed by Arthur Birling who is a wealthy factory owner. At the start of the play the Birling family is celebrating happily Sheila's engagement to Gerald Croft. However, the mood changes when Inspector Goole arrives and informs them about the suicide of a young woman named Eva Smith. Sheila Birling is the daughter of Mr. and Mrs. Birling is described at the start as "a pretty girl in her early twenties, very pleased with life and rather excited", most probably because of her engagement to Gerald Croft. Her hopes and plans for the future are to have a happy married life with her husband-to-be. Early in the play her mother informs her about married life claiming that men "spend nearly all their time and energy on business". However, Sheila does not agree and she warns Gerald, "so you be careful", which shows that she wants her fiancé to be attentive towards her. When we meet Sheila she seems to be satisfied with life; she is also from a comfortable family and so is Gerald.
The Title In Much Ado About Nothing
The Title In Much Ado About Nothing Much Ado About Nothing exemplifies a kind of deliberately puzzling title that seems to have been popular in the late 1590s. Indeed, the play is about nothing; it merely follows the relationships of Claudio and Hero, and in the end, the play culminates in the two other main characters falling in love, which, because it was an event that was quite predictable, proves to be much ado about nothing. The pronunciation of the word "nothing" would, in the late 16th Century, have been "noting," and so the title also apparently suggests a pun on the word, "noting," and on the use of the word "note" as an expression of music. In II.2 (l.54), Balthasar is encouraged to sing, but declines, saying, "note this before my notes; there's not a note of mine that's worth the noting." However, Don Pedro retorts, "<sum>Note notes, forsooth, and nothing," playing on Balthasar's words, and also demanding that he pay attention to his music and nothing else. In addition, much of the play is dedicated to people "noting" (or observing) the actions of others (such as the trick played on Beatrice and Benedick by Leonato, Hero and Claudio); they often observe and overhear one another, and consequently make a great deal out of very little. At the beginning of the play, Claudio and Hero eventually come to admire one another, and Benedick and Beatrice play off each
To what extent does Williams portray Blanche as a tragic heroine in Scene 1?
Although there are many different viewpoints on a tragic hero, Aristotle made his views clear that a hero must fall from fortune and power, with a tragic flaw allowing the reader to empathise with the character. It is difficult to determine whether Blanche has these qualities from scene one, however there are clear signs that she is far from a conventional heroine. Williams has Blanche first enter the play in a naïve and shocked manner to display her lack of power and insecurity in society. As Blanche enters New Orleans, it is made clear that 'her appearance is incongruous' as Williams immediately presents her as an outsider to the community. The image Williams creates of her 'carrying a valise' whilst wearing a 'fluffy bodice' is a stark contrast to the urban surroundings and the 'easy intermingling of races'. Williams does this to encourage the audience to question her belonging in society, wondering why the main character has so little in common with the setting of the play. This lack of power makes it clear to the audience that Blanche is not a tragic heroine, with her reversal of fortune being hard to foresee. Therefore Williams uses Blanche's strange entrance to New Orleans to emphasise her lack of heroic qualities. Williams uses Blanche's hypocritical actions about alcohol to remove any pity the audience may have for her addiction. As Blanche first enters Stella's
Compare and contrast the images of love in: Act I Scene V, Act II Scene II and Act V Scene III
Romeo & Juliet Coursework Compare and contrast the images of love in: Act I Scene V, Act II Scene II and Act V Scene III The play "Romeo and Juliet" by William Shakespeare is a romantic tragedy set in Italy. It tells the story of two "star-crossed lovers" and how they fall in love, but then die as a result of this. The play is filled with various images of love to display the relationship between the two main characters, Romeo and Juliet. The complex images used by Shakespeare are a reflection of the play itself and the experiences of the characters. Shakespeare displays love through many different images. Throughout the play, religious imagery, the contrast between light and dark, nature, death and many other images are used to express the emotions between the characters. The reason for displaying love through images, and not just plainly, is that by using imagery, the love and the particular phrase becomes more memorable, and therefore powerful. The three scenes that will be compared are: Act I Scene V, Act II Scene II and Act V Scene III. Act I Scene V is where Romeo and Juliet first meet at Capulet's party. They talk to each other and share their first kiss. Act II Scene II is commonly referred to as the 'balcony scene' and is the setting for the second meeting between Romeo and Juliet. Here they decide that they will get married to each other the next day. Act V Scene
Much Ado is a play of wit, deception and slander. Although the play consists of many other themes, nature is probably
The contradictions of Human nature "Much Ado about nothing" is all about nature. The word nothing is derived from noting, the Elizabethan pronunciation. The central importance of noting, eavesdropping has been remarked. Much Ado is a play of wit, deception and slander. Although the play consists of many other themes, nature is probably the most significant topic. Shakespeare has explained nature exploring a variety of different techniques. Much Ado is a romantic comedy and also a probable sharp attack on superficial society. At the beginning of the play Benedick imposes the dullness of marriage, which is quite ironic as he inevitably becomes "Benedick the married man." Beatrice however occupies an obsession with death because of her entrapment within a court she cannot respect. She has no patience with all the military hyperbole and the dominion of men thus she has segregated herself from all the courtly ceremony and custom. The play is claustrophobic as spies are hidden in its many rooms. Scenes of togetherness in one room are followed by those of conspiracy in another, which emphasises human isolation and vulnerability. In other words actions mean consequences. Claudio's conventional lover's exaggeration to Hero indicates his estrangement from his natural desires. The denunciation scene takes place at the altar of a chapel, which exaggerates the huge power of
How does Shakespeare present the developing relationships of the lovers in the play?
How does Shakespeare present the developing relationships of the lovers in the play? Shakespeare wrote in a time of theatrical excellence, his love of language and sense of theatre aided him in the production of countless plays and poems. Much Ado About Nothing is a play of love and war, with a twist of comedy to lighten the tension ensuring the audience does not become overwhelmed with the emotions of the characters. According to the Elizabethans, a woman's aim was to be a good wife, as their ultimate goal was marriage and their status was to be 'seen and not heard'. Shakespeare's intention was to show two contrasting women, Beatrice and Hero, and to demonstrate how they deal with the pressure of a male dominated world. Because of her wit and determined outlook on life, Beatrice is accepted in the male community but is thought to be obdurate by most men. Whereas Hero, has a submissive attitude to life and this is exposed early on; Act 1 Scene 1 she does not speak throughout the entire scene until she is spoken to. Hero portrays the accepted standard of a woman of her time, which she is expected to do, as she is the daughter of the governor of Messina. During the play the men's dominating power draws to a climax, and the men unite and condemn Hero and despite her independent outlook, Beatrice cannot express her deepest feelings. Even Hero's father briefly rejects her because
How does Spielberg use a variety of cinematic techniques in Jaws to engage the audience?
How does Spielberg use a variety of cinematic techniques in "Jaws" to engage the audience? Released in 1975 and directed by Steven Spielberg, "Jaws" became the highest grossing film of all time, taking the legendary Star Wars to surpass it. The film was based on the Peter Benchley novel inspired by the Jersey Shore shark attacks, and is set on the small Amity Island, whose residents are terrorised by a Great White Shark. Throughout the movie, Spielberg uses an array of cinematic techniques, such as an effective soundtrack and different camera shots, to create a nerve racking atmosphere which engages the audience from the very beginning. It is the intention of this essay to explore some of the technical variations used in "Jaws" within three set scenes and analyse their effect on the viewers. Firstly, in the first set scene, Spielberg introduces the audience to the "Jaws" theme tune and preconditions us to associate that with danger. The film starts with the title screen, where the non-diegetic soundtrack is first heard. This is then accompanied by an underwater camera, moving through weeds and reeds, which create a sense of uncertainty and fear, as we don't know what is on the other side. Also, the staccato nature of the soundtrack implies danger straight away, thus preconditioning the audience to feel scared when they next hear the music. This powerful theme tune
How does Miller succeed in making Eddie someone with whom the audience can sympathise?
4. How does Miller succeed in making Eddie someone with whom the audience can sympathise? Arthur Miller wrote 'A View from the Bridge' as a modern version of a Greek tragedy, therefore, Eddie's death at the end of Act Two should be tragic. The audience have to feel pity, or pathos, towards Eddie when he dies to make the play a successful tragedy. According to 1.Aristotle's definition of a tragic hero, the hero should be noble and of high status; he should have a flaw, or hamartia, which should lead to his tragic ending; his punishment should seem to be harsher than his crime; and he should realise that his flaw has led to his tragedy. By making his play a modern version of a Greek tragedy, Miller uses the character of Alfieri, his description of Eddie as a likeable and respected man and an extreme and violent death in the arms of his wife to make the audience sympathise with him and to make him a tragic hero. Throughout the play, Miller gives his audience many reasons to respect and admire Eddie. Although there is "too much love" (p. 48) for his niece, it is also obvious that he is very protective over Catherine and genuinely cares about her. Eddie and his wife have taken Catherine in and have given her a loving and caring home to live in. Also, Eddie seems popular within his community, is liked by Louis and Mike and is described by Alfieri as "good a man as he had to be in
