A Gentleman within and the Gentlemen without… The complexity of moral growth in Great Expectations

A Gentleman within and the Gentlemen without... The complexity of moral growth in Great Expectations does not suffer in meaning or value when compared to the cliché that it is not what is outside, but what is inside a man that counts. Throughout the novel, the character of Pip is faced with struggling to find a place in a society he was not born into, nor initially morally suited for. The journey of self-growth that he undergoes is a gradual and subtle one, and it is often we find that he learns valuable lessons about being a true gentleman too late to restore his world to the way he wishes it could be. The journeys and actions of the characters Joe Gargery, Mr Jaggers, Abel Magwitch and (indirectly) Herbert Pocket allows Pip to grow from their experiences, and shapes his character into the gentleman he desires to be. The lessons each character present to Pip about the essence of being a true gentleman in a society plagued by so many who aren't will be identified and explored, to bring clarity to Pip's journey to fulfilling his expectations. Joe Gargery is Pip's brother-in-law, yet fulfils the dual role of father and friend during his childhood. He is a simple man, suffering under Mrs Joe's (Pip's sister and surrogate mother) suppressive personality. In the beginning of the novel, prior to Pip being exposed to the world he feels will satisfy his expectations, Joe and Pip

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Alice in Wonderland and its language

Jung-In Kim TOK Alice in Wonderland and its language Alice in Wonderland is a novel from Lewis Carroll, and Disney made an animation based on this novel. Alice in Wonderland is about a girl called Alice having an adventure in a, so called, Wonderland which is a world in her dream. There she meets many strange creatures, flowers etc. They all tell Alice a little story. The spoken language is English but what they speak is actually a different language. How can be a language different to the same language? In the world of Alice, everything what the creatures in that 'country' says is solidly logical. What they say is what it is, there are no metaphors or any kind of word-game like in our world. In the movie the Kind tells the Hatter "take off your hat", and the Hatter answers with a Wonderland language "It is not mine". The logic we have in our mind is turned upside down in the Wonderland (and that is probably why the furnitures are up sided down in the entrance of the Wonderland). English is spoken in the Wonderland but still a different language is spoken. In the Wonderland, there are many strange creatures, like singing flowers, Water pipe smoking Caterpillar, a cat which can disappear etc. Those actions are possible because it can be described in words. Everything must be logical in that country , so everything which are able to describe can happen in that world. In

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Pincher martin

CHAPTER-2 Pincher Martin, Golding's most powerful and greatest literary achievement, has certain elements that enable us to discern it as a novel of situation. The competition against the sea by a Naval Officer for survival is the basic tension and conflict before death and endows this relevant situation with some kind of religious sanctity. It is a complex work of art, and it appears to be the most significant expression of Golding's capacity to fuse content and form in the novel. The novel has a very simple story. What we enjoy in the novel is the soul-drama of the protagonist. Martin, the naval officer is thrown into the North Atlantic at the time of attack from a submarine. Once in the vast Ocean, he fights for life and finds a rock in the ocean for help. Having reached it and occupying it, he began finding ways of escape. The novel is filled with Martin's thoughts and recollections of the by gone days. This offers a peep-hole to look into the secret in a hopeless situation on the Rock, in North Atlantic Sea. Since the novelist gives importance to the situation, it is no question whether Martin died within the second page of the novel itself or suffered for seven days. The story is about Martin and his struggle and suffering and his death becomes sublime, which is therefore non-specific with regard to time. In Pincher Martin the psychology of the protagonist

  • Word count: 2479
  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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What connections are established between class and masculinity on texts from the module?

What connections are established between class and masculinity on texts from the module? In relation to historical culture and context, the social expectations of men have an element of continuality over the novels looked at on the module. It is important to look at historical events that have taken place and how they relate to the text. An important concept around the Victorian era is the construction of the gentleman and how this ties in with the idea of male violence, which is a recurrent feature in the texts. Looking at the fighting in Saturday night Sunday morning enables the reader to contextualise the angry young men of the fifty's. Around this issue is the idea of normative masculinity. When answering this question it is also important to look at gender identity in relation to class, race and nationality, the expectations of men in different classes. In the Victorian era, to become a gentleman was a cultural goal that men aspired to. "It is considered essential that a gentleman should not only be able to live without manual labour, but also without too visible attention to business, for it was leisure that enabled a man to cultivate the style and pursuits of gentlemanly life" (Glimour, R; Page 7). This quote portrays the idea of the gentleman at the time of publication; a gentleman shouldn't have to work for their money and should have time for leisure

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Children's literature - David Wiesner.

David Wiesner Paper 1 - Leslie Barrow As Bob Dylan once said, "the times, they are a-changin'." This statement applies to almost all facets of our lives in the twenty-first century, including children's literature. Many authors have led the transition of this genre. One such author is David Wiesner. He has helped change the face of children's literature from the simple presentations of "Mother Goose" poems and fables to thought provoking works in which children immerse themselves. To understand the messages in David Wiesner's writing, we must first understand David Wiesner. Born February 5, 1956, in Bridgewater, New Jersey, Wiesner was the youngest of five children. As a child, his parents and siblings supported his artistic habits. Throughout school, Wiesner developed a reputation as "the kid that could draw." His teachers quickly recognized his gift and channeled his talents. After graduating high school in 1974, Wiesner enrolled in the Rhode Island School of Design. In 1978, he received his Bachelor of Fine Art in Illustration. After graduation, he worked illustrating magazine covers before other writers recognized his talents in 1981. David Wiesner brought Nancy Luenn's words to life in her 1981 release The Ugly Princess. This led to other opportunities to illustrate other author's works such as Dennis Haseley's 1986 book Kite Flier. In 1987 Wiesner took

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Satirical Pre 19th century Poetry

How have poets over the centuries used satire to comment on their times? John Skelton, Jonathan Swift and Alexander Pope wrote three of the most satirical poems of the period before 1914, they have become renowned for their poetry and for deriding people and societies of their time. Satire is the use of humour, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices or a literary miscellany, especially a poem ridiculing prevalent vices or follies. A mock epic is a form of satire that adapts the elevated heroic style of the classical epic poem to a trivial subject. The methods utilised to satirise people, places and communities have changed over the centuries and the texts have become more satirically obvious. Numerous literary devices are applied to create the satirical poem called Speke Parott by John Skelton in 1521. Personification is literary technique utilised to ridicule Thomas Cardinal Wolsey, the character whom Skelton has directed all derision. Personification is shown in line 43, 'My lady masters, Dame Phylology,' which is incarnating the study of language as a grand woman. This gave the illusion that intelligence made people higher is social hierarchy; thereby being adept at a number of different languages people may be of an elevated rank. However, as Skelton portrays recurrently throughout the poem, this ostensibly intellectual

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Discussions on Aice in wonderland - Chapter 4: The Rabbit Sends In A Little Bill.

Chapter 4: The Rabbit Sends In A Little Bill In Chapter 4, we're introduced to and are more aware of the White Rabbit. The White Rabbit is capitalized to show significance of the White Rabbit's character, as all the other characters. 'White Rabbit'. As he rushes in, looking for his gloves, he cries out anxiously "The Duchess! The Duchess!" This shows frustration, fear and anxiety from the White Rabbit. This shows that 'The Duchess' has high authority, and is someone who the others fear. We can also point this out from her name. A duchess usually has high status and power. Her name is also capitalized. The White Rabbit continues with "Oh my dear paws! Oh my fur and whiskers! She'll get me executed as sure as ferrets are ferrets!" This carries on the sense of anxiety and fear as to let the reader know that the Duchess is danger. This sentence, which is full of exclamation to show the anxiety also includes a simile, "as sure as ferrets are ferrets". He finishes off his hurried sentence with asking a rhetorical question: 'Where can I have dropped them, I wonder?" He asks himself this, and from the first chapter, we can see that he does talk to himself quite a bit when he is nervous or anxious. This reminds me of an aged person. There is emphasis on the 'can'. There's also inverted word order. This shows us, that the book was written in Victorian times. Lewis Carroll uses a

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Write an essay of not more than 1500 words, referring to Great Expectations and Frankenstein, discussing how origins are explored through realist and other conventions.

Natalia Atkinson Personal identifier: W7234978 A210: Approaching Literature TMA:02 Write an essay of not more than 1500 words, referring to Great Expectations and Frankenstein, discussing how origins are explored through realist and other conventions. As Edward Said remarked in 'On Repetition' in The World, The Text and The Critic (1984), 'the realist novel is concerned with seeing people as peculiarly individual beings facing an individual destiny' (The Realist Novel, p. 68); we can certainly see this is evident in both Great Expectations1 and Frankenstein2. In both novels we, as readers, are faced with tumultuous happenings concerning the quest for identity. Through using the, occasionally very loose, framework of the realist novel both seek to explore other genres to illustrate the wider psychological impact of the search for one's origin. In Great Expectations we are introduced to the significant theme of origins immediately as we witness young Pip at the graveyard, lamenting over the appearance of his parents. From here, we are thrown into the dangerous world of the criminal as 'a fearful man' (p. 6) accosts Pip and threatens that his accompanying friend will have his 'liver tore out, roasted and ate' (p. 8). Although we are in the throws of melodrama here, there is a hint of the gothic element, which exemplifies Pips fear and apprehension, and

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  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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However, in particular, Kiss Me Carol by Farrukh Dhondy, Drunkard Of The River by Michael Anthony and The Exercise by .... have seemed to share a very strong theme in the relationship between father and son

I will be going to compare and contrast the ways in which fathers, sons and the relationship between them are presented in three of the stories I have studied. All of the stories I have read have had shared a common background in one-way or another. However, in particular, Kiss Me Carol by Farrukh Dhondy, Drunkard Of The River by Michael Anthony and The Exercise by .... have seemed to share a very strong theme in the relationship between father and son. The tension created in all three short stories is quite breathtaking and done in different ways in which I will explain and explore. In the story by Farrukh Dhondy, we as the reader are given the impression that Mr Mirah demands respect from his son Jolil. To further prove this point, Jolil does not tell his father about the letter in fear of his farther thinking it's a complaint. In contrast to this, from lines 1-12 we understand that Mr. Miah is a very caring father in which he asks his son "what happened at school?" Mr. Miah beliefs and attitude towards education is one that deserves much respect from the reader. As well as being a very proud man " I send you to school, they turn you into beggar" clear as crystal for the reader to see, Mr Miah finds it almost insulting that his son should play the part of Tim in the school play. Mr. Miah is also a religious man. "said his prayers after sunset" "Allah (Arabic for

  • Word count: 659
  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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Vinegar Tom - Use of Language. Caryl Churchill.

Vinegar Tom Use of Language Caryl Churchill uses different types of language throughout the play to give depth to and display the emotions of the characters in Vinegar Tom. This can be seen from the offset of the play in which Alice talks to the man passing through the village. The Man The man's opening line is; 'am I the devil?' asked to Alice. She does not seem to understand and so he continues, 'I'm the devil. Man in black they say,' the man would seem to lack confidence and this is something Churchill builds on in the next few lines; 'Have I not got great burning eyes then?' 'Is my body not rough and hairy?' 'Didn't it hurt you? Are you saying it didn't hurt you?' He clearly has a low self esteem and is self conscious of in the way he looks and the size of his penis. These are all things he is worried by but the root of all his fears are revealed after these initial worries. The line 'So you think that was no sin we did?' reveals religion to the conversation. The man is confused by religion. People at the time were not sure weather to be Protestant or Catholic. He talks of how one of his family was burnt for being Catholic so they became Protestant and one burnt for that to. He is afraid of his sins. That is why he was asking if he was the devil at the beginning, because he was afraid that the sin they had committed was so bad that he was becoming the devil or that

  • Word count: 989
  • Level: University Degree
  • Subject: Linguistics, Classics and related subjects
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