How does Shakespeare create dramatic tension in act 2 scene 2 of Macbeth?

How does Shakespeare create dramatic tension in act 2 scene 2 of Macbeth? Act 2 Scene 2 of Macbeth is a decisive scene in the play as it creates dramatic tension, conflict and controversy. There are many themes in this play: tragedy, the supernatural, love, dishonesty, betrayal and greed. Macbeth murdered Duncan to prove his masculinity for his wife and also his hunger for more power. Lady Macbeth wanted Duncan dead because of her greed and the witches' prophecies influence her. At the beginning of the play Macbeth is brave, content and loyal in contrast to his dark and sinister persona he adapts later on in the play. Whilst the main theme of Macbeth is one of tragic loss (in terms of the death of the King and indeed the loss of Macbeth's mental state), greed also proves to be an influential factor in the downfall of both Macbeth and his wife. It, ultimately, changed their actions and cost them their lives. At the beginning of the scene, Lady Macbeth is feeling confident. She says " What hath quench'd them hath given me fire", this indicating that she is feeling so powerful and inspired that nothing can stand in her way. Despite feeling confident, she feels agitated and remarks "Hark! Peace!" which demonstrates that she is concerned someone has been alerted to the couple's plans and will discover their wretched methods; this sudden feeling of concern contrasts with her prior

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How Shakespeare portrays Romeo and Juliet in Act 2 Scene 2

How Shakespeare portrays Romeo and Juliet Act 2 Scene 2 is a particularly famous scene in William Shakespeare’s play, Romeo and Juliet. Often called the balcony scene, it is where the two lovers first meet to proclaim their love for each other. The balcony scene takes place after the ball in the Capulet Mansion, in Juliet’s orchard. The characters are presented in an unusual way, illustrating many recurring themes of identity, life and death, nature and love. The thoughts and feelings of Romeo and Juliet are conveyed through metaphors, enriching the reading or performance of the play. The actions and responses of others emphasize the division that is supposed to be between Romeo and Juliet and what makes it so moving is that we, the audience, knows what this division will bring about at the end of the play. The film by Baz Luhrmann of Romeo and Juliet enhances the visual experience and brings to life the metaphors used in a way that Shakespeare would have never been able to show visually. Shakespeare’s play contrasts with the societal views and expectations of young people and goes against the social norms expected in Elizabethan times. At the start of Act 2 Scene 2 Romeo, in a monologue, reveals his love and desire for Juliet as she appears at a window above him oblivious that Romeo is just beneath. The use of celestial imagery and mythological references are common

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The Supernatural in "Macbeth"

Macbeth Supernatural, no matter if you believe in it or not it still attracts the audience's heart. In the time of William Shakespeare there was a strong belief in the existence of the supernatural. Thus, the supernatural is s recurring aspect in many of Mr. Shakespeare's plays. In "Macbeth", the supernatural is an integral part of the structure of the plot. Not only do witches appear but also a floating dagger transforms into reality. Shakespeare intelligently introduced the elements of the supernatural in Act 1, Scene 3. Shakespeare located his scene in a mysterious marshy, deserted "heath" on a day with "thunder", perfect for paranormal activity. Thunder and lightning was believed to be associated with evil, and when the play was presented in Shakespeare's time, cannonballs would be rolled to create the sound effect. Three characters are introduced; immediately we knew that they are involved with the supernatural because the second witch told the others that she was "killing swine". Witches tried to hide from humans in fear of being burned at stakes, so they had to be in an empty heath to meet Macbeth. Back in the day, witches were blamed for the death of animals. Also, the witches repeated phrases three times. "I'll do, I'll do, I'll do" and instead of any other number of witches, there were three of them. The number three was regarded as a magic number. The

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How does Lady Macbeth change throughout the play, "Macbeth"?

How does Lady Macbeth change throughout the Play? "Glamis thou art, and Cawdor, and shalt be What thou art promised;" These are the powerful opening lines of Lady Macbeth - the most infamous and indomitable female character in all of Shakespeare's many works, who defies the position of order and gender of her time and used power and ambition to achieve her dreams. Her opening scene in I.v where she is reading the letter from her husband, which proclaims the witches' prophecy, and the following soliloquy are the first exposure to her character, as it allows us an insight into her most intimate thoughts and feelings. At the idea of her husband being possibly made King she jumps straight to the conclusion that he will be, "and shalt be what thou art promised". This is shocking to the audience as her superstition shows her underlying hunger for power by the fact she takes three deranged, women on a moor as the literal truth - any excuse for her to rise in authority. Shakespeare's use of the witches adds drama because at the time the play was written, during the reign of James I, witchcraft and heresy were deemed punishable by death and to "consult with any evil sprit" was illegal under the 1604 Witchcraft Act, so they would have seen it as a scandal that Lady Macbeth believed the witches. She seems even more ruthless by the fact that automatically she presumes that they will

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Macbeth Critical Response Essay

Macbeth Critical Analytical Response If Hollywood ever dared to take a second attempt at making Macbeth into a movie, it would probably have to be rated 18A. Aside from the violence, and other mature content the amount of blood present in the play would be enough to deter any viewers under 18 years of age. However, just as violence is necessary in every action movie, blood plays an essential part in Macbeth. In his play Shakespeare uses blood as a symbol for guilt. Using this symbolism in combination with the behaviour and actions of his two main characters, Macbeth and Lady Macbeth; Shakespeare is able to clearly communicate his theme that one's ambition in combination with certain circumstances may compel one to respond with acts of evil, and as a result these people may be consumed and destroyed by their resulting guilt. At the beginning of the play Macbeth is introduced as brave, honourable and loyal, a great general who fought loyally to defend his king. When the sergeant introduces him for the first time, he is referred to as "brave Macbeth" the sergeant goes on to praise "well he deserves that name". In the first few scenes ambitious Macbeth is praised to the point where it seems he can do no evil. It is not until Macbeth is confronted by a special set of circumstances presented to him by the Witches does he begin to have dark desires and evil intentions. "All hail,

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"this dead butcher, and his fiend-like queen". Are these words by Malcolm an appropriate epitaph for Macbeth and Lady Macbeth?

"this dead butcher, and his fiend-like queen". Are these words by Malcolm an appropriate epitaph for Macbeth and Lady Macbeth? Malcolm says this epitaph after Macduff has severed Macbeth's head and walks into the castle. Macduff then informs his companions to proclaim "Hail, King of Scotland!" signifying he is King, which all of his companions declare. Then Malcolm states that he and everyone else will not waste their time. Malcolm also says to his Thanes and Kinsmen to be hereby known as Earls, which is what the British Thanes were called. In the same speech he exclaims that the people that fled to England (himself, Malcolm, and his brother, Donalbain) knew what Scotland had produced and he describes Macbeth as a "butcher" and Lady Macbeth as a "fiend-like Queen", but is this true? Macbeth Malcolm describes Macbeth as a "butcher" as he feels he mercilessly killed people. Below are some points that support Malcolm's view of Macbeth. The first sign of Macbeth becoming a "butcher" is when Macbeth and Lady Macbeth plan to murder King Duncan whilst he is sleeping; this occurs in Act 1 Scene 7, although it is Lady Macbeth that persuades him to do it. In Act 3 Scene 1, we can see the first steps that Macbeth is becoming a "butcher" as he plans the death of Banquo and Fleance whilst they travel on horseback. He tells the murderers to take revenge on Banquo because it is

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Throughout the play Macbeth and Lady Macbeth together demonstrate how ambition can turn a loyal soldier into a bloodthirsty murderer

Throughout the play Macbeth and Lady Macbeth together demonstrate how ambition can turn a loyal soldier into a bloodthirsty murderer with his scheming and devious wife turning weak and disturbed as ambition slowly destroys her. Macbeth’s ambition to become king of Scotland turn’s him independent and ruthless. “The dead butcher and fiend-like queen”, is an accurate description as this is all they amount to. At the start of the play Macbeth is a loyal soldier returning from the civil war. The witches tell Macbeth that he will become Thane of Glamis, Thane of Cawdor and King of Scotland. The witch’s prophecies make Macbeth ambitious and tap into pre-existing ambition. Macbeth believes these prophecies as the first of his prophecies has been fulfilled. Afterwards the second prophecy is carried out. Immediately Macbeth thinks of murdering King Duncan so the third of his prophecies will be fulfilled even though he is horrified by the idea. Lady Macbeth’s greed makes her determined the third prophecy will come true. But believes Macbeth is not capable of murdering Duncan but will provoke him. When Lady Macbeth hears the news that that Duncan is coming to visit she believes it is the ideal opportunity to kill Duncan. Lady Macbeth calls on the spirits of darkness and evil to replace her nurturing and feminine qualities with remorseless cruelty. Macbeth is appalled of the

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Macbeth Essay. The theme of the natural world vs the supernatural world is a major aspect that is conveyed regularly throughout Macbeth.

Macbeth Practise Essay William Shakespeare's tragedy 'Macbeth' explores the natural and unnatural worlds of Scotland, conveying that ultimately, the two cannot co-exist. Discuss the ways Shakespeare presents the notion stated above through his dramatic/theatrical techniques. The play 'Macbeth' by William Shakespeare is known as one of the Four Great Tragedies of Shakespeare and thus follows the rules from Aristotle's definition of 'tragedy'. This means that the protagonist of a high rank who is essentially good, plummets because of a fatal flaw and causes consequences for everyone and this is shown in Macbeth. The natural world of Medieval Scotland, where dutiful themes pay homage to monarchical Kings, comes close to destruction as unnatural acts of regicidal Macbeths ('spurred' on by witches and apparitions) brings about tragic consequences. These themes are conveyed through the use of dramatic techniques throughout the play. The theme of the natural world vs the supernatural world is a major aspect that is conveyed regularly throughout Macbeth. The natural world of Scotland in Macbeth is established as the monarchy (King Duncan) who is contrasted to the witches scenes on heath. The concept of the 'chain of being' was believed that all life forms that god created are ranked in a divinely planned hierarchy. This means that King Duncan was above all other humans but below

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Commentary on Macbeth soliloquy Act V scene V"To-morrow, and to-morrow, and to-morrow,Creeps in this petty pace from day to day,

Commentary on Macbeth soliloquy Act V scene V "To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow; a poor player, That struts and frets his hour upon the stage, And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing. " Soliloquy is a speech made by a character alone on the stage or thinks she/he is alone. Through soliloquy, the audience gains an honest and direct experience of that character's mind. In this particular soliloquy, Macbeth expresses overwhelming despair. This soliloquy encompasses the entire experience of Macbeth's kingship, short to the entire play. Imagery, time, dictions and repetition each have its constituency in shaping this important soliloquy. The passage reveals to the reader the despair and desolation of Macbeth just before the deciding battle with Macduff and Malcolm. Just before the soliloquy, Macbeth has been informed that Lady Macbeth is dead. The sudden departure of Lady Macbeth marks the lost of Macbeth's only love and trusty as well as the ties to the world. By now, Macbeth is all alone, as most of the previously mentioned Thanes have taken side with Malcolm. After this soliloquy, Macbeth is

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How far can the audience sympathise with Lady Macbeth?

Macbeth Coursework In the play we see that Lady Macbeth is a multifaceted character - at times she behaves in a way which would make us see her as a "fiend-like monster"; however later in the play we begin to see her as a "Lady of remorse." Lady Macbeth first appears in the play in Act 1 Scene 5 when she has just received Macbeth's letter and is reading it. She does not doubt the veracity of the witches' prophecies. Immediately we begin to see her own scheming ambition, "Glamis thou art, and Cawdor; and shalt be what thou art promised" - her only concern was that her husband would not be able to act in such a way so as to fulfil the prophecy "Yet I do fear thy nature; It is too full of the milk of human kindness to catch the nearest way." She understands Macbeth's nature very well, and knows that she will have to use her own influence and power over him to compel him to act, "Hie thee hither, that I may pour my spirits in thine ear and chastise with the valour of my tongue all that impedes thee." She is hopes that she will be able to bring him to her point of view "pour my spirits in thine ear" and that she will be able to convince him that murdering Duncan is the right course of action to take, and overcome his good, kind nature, "and chastise with the valour of my tongue all that impedes thee." At that time, the 16th century, it was widely accepted and believed that

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