Much Ado About Nothing
M.Ibrahim Aftab Khan 1548 10.3 Q. Imagine that you a Beatrice at the end of Act 4 Scene 1. Write your thoughts and feelings about the men's treatment of Hero. Die Claudio Die!!! What men with such honour and pride would have the thought of embarrassing a woman on her wedding day which is supposed to be the most beautiful day of a woman's life? God curse these foolish men and let them die in the boiling liquid of hell. During the wedding, Claudio harshly announces that he isn't going to marry our dear sin-less Hero and fired up with insults which were like swords and daggers through Hero's innocent lovely heart calling her a common stale, a rotten orange and that her blush is that of guiltiness causing Hero to faint. There, behind him stood Don John and Don Pedro acknowledging every word that Count Shame-less said and assisted him further in insulting my poor innocent lamb Hero. There, they stood Don Pedro and Don John nodding to whatever filthy lies came out of Claudio's mouth. But this came to me like a shock that Don Pedro assisted him in doing so as I expected to be different from that Claudio. Being a Prince, especially the Prince of Aragon he needs to gain respect from wherever town or person he can get from but he has lost that from the people of Messina and especially me. He did not only stand there acknowledging every word Claudio said but also added more insults
In Act 3 Scene 1 of 'Romeo and Juliet', Shakespeare uses language to make the fight scene dramatic. How does Baz Luhrmann draw on this and use other devices to create tension for his audience?
In Act 3 Scene 1 of 'Romeo and Juliet', Shakespeare uses language to make the fight scene dramatic. How does Baz Luhrmann draw on this and use other devices to create tension for his audience? 'Romeo and Juliet' is about two families, the Montagues and the Capulets, who have been introduced to a physical and verbal war. The play starts off with the prologue, where a man comes onstage and reads out the plot of the play and the key ideas, although this gives away the surprises, it builds tension at the crowd are constantly on the edge of their seats waiting for the events to happen that they have been told about. The opening scene sees the two families, who have been fighting for generations, in another battle, this takes place in public and is witnessed by the prince who decides anymore fighting will end in exile or death. This creates tension as anymore fighting carries a more drastic punishment and so the tension is built because certain members of the family become more conscious about where they are fighting and the possibility of the prince seeing them. The first fight scene is the first scene of the play; this is a much smaller fight and creates more tension in the way as you expect more fight scenes that are bigger. The first fight scene starts off the Montagues saying to the Capulets 'Do you bite your thumb at us, sir?' this shows that fights between these two
Revenge in Hamlet
Revenge in Hamlet In modern times justice is virtually always served. Most crimes and wrong doings are reprimanded and punishments are given. Yes, there are the scarce few who go above and beyond the law to take matters into their own hands. But it is the co formality of the law and of justice that keep the world from becoming chaotic. Revenge is thought as being barbaric and adolescent; the opportunity to retaliate or gain satisfaction. Justice is fair and impartial behavior or treatment. In Shakespeare's Hamlet three characters go through a sudden death of a family member. The way that these characters deal with their problems display the rage and confusion that exists within the play. Hamlet, Laertes, and Claudius allow madness to poison their mind, disable the chance for justice and enable cold-blooded revenge to take over. With the unforeseen death of his father, Laertes is overwhelmed with misplaced anger and unanswered questions. Searching for answers he turns to Claudius. It well appears. But tell me Why you proceeded not against these feats, So crimeful in nature, As by your safety, wisdom, all things else, You mainly were stirred up. (Shakespeare 4.7:5-10) At this point Laertes is frustrated and susceptible to a cure for his pain; to find this, he turns to Claudius. Claudius introduces his plan for revenge. "No place , indeed, should murder
The Title In Much Ado About Nothing
The Title In Much Ado About Nothing Much Ado About Nothing exemplifies a kind of deliberately puzzling title that seems to have been popular in the late 1590s. Indeed, the play is about nothing; it merely follows the relationships of Claudio and Hero, and in the end, the play culminates in the two other main characters falling in love, which, because it was an event that was quite predictable, proves to be much ado about nothing. The pronunciation of the word "nothing" would, in the late 16th Century, have been "noting," and so the title also apparently suggests a pun on the word, "noting," and on the use of the word "note" as an expression of music. In II.2 (l.54), Balthasar is encouraged to sing, but declines, saying, "note this before my notes; there's not a note of mine that's worth the noting." However, Don Pedro retorts, "<sum>Note notes, forsooth, and nothing," playing on Balthasar's words, and also demanding that he pay attention to his music and nothing else. In addition, much of the play is dedicated to people "noting" (or observing) the actions of others (such as the trick played on Beatrice and Benedick by Leonato, Hero and Claudio); they often observe and overhear one another, and consequently make a great deal out of very little. At the beginning of the play, Claudio and Hero eventually come to admire one another, and Benedick and Beatrice play off each
'The ghost is a useful dramatic device but for a modern audience its effect is to diminish rather than enhance the play's impact'
'The ghost is a useful dramatic device but for a modern audience its effect is to diminish rather than enhance the play's impact' A ghost was a common feature in the genre of an Elizabethan revenge play of which Hamlet is a prime example. Shakespeare has endued the ghost in Hamlet with several functions, all of which are vital to the plays impact and development. However connotations of the ghost were very different for a Shakespearian audience, therefore it is possible that variation in the way in which the ghost is received may diminish the plays impact for a modern audience. In the Elizabethan period people had much stronger ties to religion than we have today. Despite being an officially protestant country, there were many who continued to practise the old faith, and who had yet to eschew the catholic idea of purgatory, where souls went to expiate their sins before going to heaven. Elizabethan audiences therefore had a stronger conception of the idea of heaven and hell, and the existence of ghosts or spirits in purgatory. These beliefs were very common in Shakespeare's time and are evident from the fact that in the play, Hamlet never actually doubts the existence of the ghost, he only questions its intentions. He speculates, 'The spirit I have seen may be a devil, and the devil hath power'. Therefore one of the various attributes of the ghost in Hamlet is its ambiguity,
What is the importance of Banquo in Shakespeare's play Macbeth?
What is the importance of Banquo in the Shakespeare's play Macbeth? Banquo is an important character in the play Macbeth. He plays a person of integrity, honour and a man who has high morals to uphold. Although Banquo may appear a minor character in the play as he dies early through the plot, he plays an influential part throughout the rest of the story. Some might say that when Banquo dies, he plays the part of Macbeth's conscience. William Shakespeare wrote this play for King James I in 1606. William wrote this play for James I because he knew that he would be very interested and amused by the play. James I was interested in witchcraft and killed more "witches" than any other king. The play Macbeth is deemed unlucky because the spells in the story are true. They were taken from a book called 'Demonology' which was written by King James I. The character Banquo was based on a supposed descendant of James I, but all of his qualities are based on James. At the beginning of the story, Banquo is seen as an equal to Macbeth, both valiant warriors and both honourable, courageous Thanes. They were both regarded highly and respected by everyone, including Duncan, the King of Scotland. When Banquo and Macbeth first meet the witches after battling with the Norwegians, both characters seem very suspicious of them, but as the witches speak their prophecies. "All hail Macbeth, Thane of
How does Shakespeare use language and stagecraft to show Othello's changing feelings towards Dedemona throughout Othello
How does Shakespeare use language and stagecraft to reflect Othello's feelings towards Desdemona throughout Othello? (Focussing on Act 2 Scene 1, Act 3, Scene3, and Act 5 Scene 2) Othello was written by Shakespeare in the year 1603. It was first performed in court, but not published until 1622. William Shakespeare took ideas from Giraldi Cinthio's Hecca Tommithi - an Italian collection of 100 stories which were popular at the time, and studied by many playwrights and scholars. The play is about love, jealousy, deceit, racism and lies, and is one of Shakespeare's tragedies. Othello is set in two places- the first act in Venice and the rest of the play at a sea port in Cypress. Venice was a powerful city, with a wealthy, law-abiding and formal society. In contrast, Cypress was rowdy, not law-abiding, and constantly fighting. It is an island, which was attacked in 1570 by the Turks, having belonged to Italy for more than 100 years. Women were thought of as stupid, silly, and objects only for having children, doing as they were told, and less intelligent. A wife was bought for a dowry, and parents would sell off their daughters to gain influence or money. Desdemona was Othello's wife - they have been secretly married before the beginning of the play. She is the daughter of Venetian senator Barbanzio, and typically pure and meek, while being determined and self possessed.
How is Brutus Presented as a Tragic Hero
How is Brutus Presented as a Tragic Hero | Throughout the tragedies written by William Shakespeare, each contains a tragic hero, a person who possesses heroic qualities but then has a tragic reversal of fortune. This tragic event is often the central element that allows the play to become a tragedy. Tragic heroes also posses something known as a tragic flaw, and it is this flaw which is the main reason the tragic event is brought about. For example in the tragedy of king Lear, the king trusts the wrong people (this is his tragic flaw) and is then tricked and later becomes mad (this is his tragic reversal of fortune) and eventually he dies. It is important however that tragic heroes posses heroic qualities. For example some people say that Julius Caesar is the tragic hero of The Tragedy of Julius Caesar, however he lacks any real heroic qualities, and so cannot be considered a hero, let alone a tragic one. One of the important qualities that make Brutus a tragic hero is the fact that he has a tragic flaw. I believe this flaw to be the fact that he is too noble; this leads to naivety and allows him to be deceived by the other characters in the play to his downfall. He is naïve of some of Cassius' true character even though he is his friend. He is also over trusting of Mark Antony which is clearly shown in act 3 scene 1 where he makes the mistake of allowing Antony to make a
Explore how the writers present choices in Macbeth by William Shakespeare and the Laboratory by Robert Browning.
Explore how writer present choices in Macbeth by William Shakespeare and the Laboratory by Robert Browning. In this essay I will construct an analysis of the two main female protagonists in Macbeth by William Shakespeare and The Labatory by Robert Browning. I will reflect on the choices made by both protagonists and the inevitable consequences of them. Although both texts are written in different forms of literature - Shakespeare's "Macbeth" being in the form of a play and "The Labatory" being in the form of a poem both texts create powerful imagery and through use of language evokes strong perceptions from the audience. We as the audience are given the impression that both women are ambitious and powerful as they both successfully choose to manipulate men to make their aspirations a reality - Lady Macbeth manipulates her husband, this is portrayed malevolently when Macbeth hesitates in the murder of King Duncan and Lady Macbeth -palpably the dominant character in this scene insinuates him as a coward by ridiculing his masculinity and declares "I have given suck and know how tender 'tis to love the babe that milks me. I would, while it was smiling in my face, have plucked my nipple from his boneless gums, had I so sworn as you have done to this." In Macbeths opening soliloquy by interpreting its textual content "Firstly as I am his kinsman and his subject,
How does Shakespeare use dramatic devices in act 3 scene 1 of Romeo and Juliet
How does Shakespeare use dramatic devices in act 3 scene 1 of Romeo and Juliet in order to make it such an interesting, exciting and important scene? Romeo and Juliet the story of a young couple who are so very much in love however their families are feuding over at an ancient grudge. Romeo Montague and Juliet Capulet fall deeply in love at an early age but their lives are short lived as they die tragically. Tragedy is defined as "a play or dramatic form of a play, or the dramatic form it represents, in which the leading character suffers intense conflicts and a wretched fate, often because of some weakness." Romeo and Juliet fits into the tragedy genre because at the climax of the play the two main characters die unnecessarily. Up until act 3 scene 1 Romeo and Juliet is passionate and romantic play. In Act 3 scene 1 the complete opposite as both of the main characters suffer from the weakness of their families. This occurs when Tybalt Capulet tries to kill Romeo. This shows the tension between the two feuding families and how passionately loyal the family members are. After Tybalt is killed lady Capulet says "for blood of ours, shed blood of Montague." This hints at the continuing theme of tragedy throughout the play. This is also a use of dramatic irony because at the end of the play Romeo and Juliet die and they are from both families. The Capulets and the Montague's
