Romeo and Juliet theatre production essay.

Richard Tandy English coursework: Romeo and Juliet theatre production essay * Introduction For this piece of coursework I will explore and explain five tense and dramatic scenes from the play Romeo and Juliet by William Shakespeare. Using these scenes I will explain how a production at the Globe Theatre could have been presented to the audience of the time, to maximise the drama and the characterisations. In addition, I will consider how audience reaction and participation have changed over the centuries with varying approaches to the presentation of the story. Before proceeding with this essay I will now briefly explain some of the factors which coincide with the requirements of this essay question. For example, I will give a brief summarization of the story of Romeo and Juliet, an outline of some details about the Globe theatre, and a brief review of the rest of the essay question, for example, some of the factors which would influence how a production at the Globe Theatre could have been presented to the audience of the time, to maximise the drama and the characterisations. The famous story of Romeo and Juliet, based on the narrative poem, The Tragicall History of Romeus and Juliet by Arthur Brooke is a story of two lovers, as the prologue famously refers to as "A pair of star-cross'd

  • Word count: 10929
  • Level: GCSE
  • Subject: English
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What is striking about Much Ado About Nothing is that it is written largely in prose.

What is striking about Much Ado About Nothing is that it is written largely in prose. This contrasts with the blank verse that fills many of Shakespeare's other plays although it seems more familiar to modern audiences used to plain prose. Unlike the bland modern speech that we are so used to, Shakespeare's prose is rich, full of colorful imagery, and plays with words. He even allows Benedick to make fun of the prose used by Claudio, commenting that Claudio used to speak plainly whereas he now uses orthography. Benedick as a character derives his mannerisms from a manual by Baldassare Castiglione titled The Book of the Courtier. Published in English translation in 1561, the book describes a conversation between several intellectual men and women through which they discuss that qualities that a perfect courtier would possess. They create a courtier who can make both love and war, assist the Prince, dance elegantly, and fully grasp diplomatic situations. Their courtiers also should be able to sing, engage in philosophical musings and tell humorous stories. Benedick is the archetype of this ideal figure, a man called upon to perform all of these roles in this play. It is important to realize that "nothing" was pronounced "noting" in Shakespeare's time. This is in fact a play obsesses with noting, or the lack of it. As a result, there is a special effort made by the characters

  • Word count: 10879
  • Level: GCSE
  • Subject: English
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The Crucible - summary.

Act One Summary: Miller prefaces the action of the play with a historical description of the Puritan society in which the play is set and an analysis of the Salem witch trials. To the rest of the European world, the inhabitants of Massachusetts were considered fanatics who shipped out products of slowly increasing quantity and value. At this time the town of Salem, established only forty years before, is barely more than a small village. The Puritans lived a strict and somber way of life, and had a predilection for interfering in others' affairs to guard against immorality. The Puritans carried with them an air of innate resistance and believed that they held in their hands "the candle that would light the world," a belief that modern Americans still share. Miller claims that the Salem tragedy developed from a paradox: for good purposes, even high purposes, the people of Salem developed a theocracy to keep the community together, but all organization is grounded on the idea of exclusion. The witch hunt was not mere oppression, but also an opportunity for everyone to express publicly his guilt and sins under the cover of accusations against the victims. The play is set in Salem, Massachusetts in the spring of 1692, and the first act begins in a small upper bedroom of the home of Reverend Samuel Parris, who kneels in prayer at the bed of his daughter, Betty, a ten year old

  • Word count: 10794
  • Level: GCSE
  • Subject: English
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Important Symbols and Themes of The Glass Menagerie

Important Symbols and Themes of The Glass Menagerie Tennessee Williams' play, The Glass Menagerie is considered a memory play because it is told from the memory of the narrator. The narrator, who is also a character, is Tom Wingfield, the youngest member of the Wingfield family. The other characters are Amanda Wingfield, his mother; Laura Wingfield, his older sister; and Jim O'Connor the gentleman caller. A fifth character is represented by the photograph of Mr. Wingfield, who left the family a long time ago. It is this departure by Mr. Wingfield that represents the theme of escape throughout the play. The Glass Menagerie is set in the apartment of the Wingfield family during the mid 1930's. By description, it is a cramped, dinghy place, similar to a jail cell. Of the Wingfield family members, none of them want to live there. Poverty is what traps them to live within their present environment. Williams uses many symbols to help the Wingfield's escape their surroundings, and differentiate between reality and illusion. The first symbol, presented in the first scene, is the fire escape. This represents the "bridge" between the illusory world of the Wingfields and the world of reality. This "bridge" may be a one-way passage, but the direction varies for each character. For Tom, the fire escape is the way out of the world of Amanda and Laura, and an entrance into the

  • Word count: 9873
  • Level: GCSE
  • Subject: English
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Comparing Hobson's (a private limited company) and Mr. K. Day (a sole trader).

Comparing Hobson's (a private limited company) and Mr. K. Day (a sole trader). Terms of reference: We need to conduct an investigating of two organisations. The companies are Hobson's and Mr. K. Day. Hobson's are a private limited company and Mr. K. Day is a sole trader. Procedure: In order to investigate both Hobson's and Mr. K. Day, I will need to be able to do the following: > Complete a questionnaire for both Hobson's and Mr. K. Day. > Read books such as Applied Business and GNVQ Business studies. > Look on the web sites of both of the companies. Findings. Aims and objectives. Both Hobson's and Mr. K. Day have and need aims and objectives. Both companies need aims and objectives to be successful and to improve both of the businesses. Aims are what Hobson's and Mr. K. Day are hopefully going to improve. Objectives are how Hobson's and Mr. K. Day are going to achieve their aims. Aims and objectives need to be SMART. SMART stands for: Specific Measurable Achievable Realistic Time related Mr. K. Day's aims: > To expand the company > To make a profit > To provide a service > Maximising sales > Providing a competitive service Mr. K. Day's objectives: > To advertise more (A&B) > To work longer hours > Providing more services (different kinds of services) Hobson's aims: > To make a profit > To provide quality services > To provide quality products

  • Word count: 9809
  • Level: GCSE
  • Subject: English
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Romeo and Juliet - What different types of love are represented in the play, and how is Shakespeare drawing on historical, social and cultural features of medieval and Elizabethan Englandin the ways that he represents these types of love?

Pre-1914 Drama Coursework: Romeo and Juliet Essay By Charlotte Gatehouse 1SD GCSE English / English Literature Band X Set 1 2001 - 2003 Pre-1914 Drama Coursework: Romeo and Juliet by William Shakespeare Teacher: S Webber What different types of love are represented in the play, and how is Shakespeare drawing on historical, social and cultural features of medieval and Elizabethan England in the ways that he represents these types of love? The entire theme of Romeo and Juliet is love. The plays plot is about Romeo and Juliet's love affair, but the romantic love is not the only type of love present in the story. As well as using realistic social situations familiar to an Elizabethan audience, Shakespeare draws upon popular medieval and Elizabethan conventions of poetry, literature and art in the way that he represents the different types of love in the play. Shakespeare draws upon conventions of art and literature from the Elizabethan and medieval world, for the first type of love that appears in the play that is the Infatuation which Romeo has for Rosaline. In the opening scenes Romeo is depressed because he is in love with a woman who does not return his affections. This depression is apparent when Benvolio talks to Lord and Lady Montague about Romeo. He says, "...underneath the grove of sycamore.../ So early walking did I see your son/ Towards him I

  • Word count: 9523
  • Level: GCSE
  • Subject: English
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Merchant of Venice- Scene by Scene summary & analysis

Merchant of Venice - Scene by Scene summary & analysis Act I, Scene One Antonio, a merchant, is in a melancholic state of mind and unable to find a reason for his depression. His friends Salerio and Solanio attempt to cheer him up by telling him that he is only worried about his ships returning safely to port. Antonio, however, denies that he is worried about his ships and remains depressed. His two friends leave after Bassanio, Graziano and Lorenzo arrive. Graziano and Lorenzo remark that Antonio does not look well before exiting, leaving Bassanio alone with Antonio. Bassanio informs Antonio that he has been prodigal with his money and that he currently has accumulated substantial debts. Bassanio reveals that he has come up with a plan to pay off his obligations by marrying Portia, a wealthy heiress in Belmont. However, in order to woo Portia, Bassanio needs to borrow enough money so that he can act like a true nobleman. Antonio tells him that all his money is invested in ships at sea, but offers to borrow money for him. Act I, Scene Two Portia, the wealthy heiress, discusses her many suitors with her noblewoman Nerissa. She points out the faults that each of them has, often stereotyping each suitor according to the country from which he has arrived. Nerissa, a gentlewoman who works for Portia, asks her if she remembers a soldier who stayed at Belmont several years

  • Word count: 9477
  • Level: GCSE
  • Subject: English
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Why and How Does Eddie Carbone Change As The Play Progresses? What Leads to His Death? How Do You Think an Audience would respond To the Changes in his Personality As They Watch Him Destroy Himself?

A View from the Bridge Why and How Does Eddie Carbone Change As The Play Progresses? What Leads to His Death? How Do You Think an Audience would respond To the Changes in his Personality As They Watch Him Destroy Himself? Arthur Miller's A View from the Bridge is set in the 1950s, when communities were forced to reconcile between American culture and the Italian community culture that surrounds. The cultural and moral difference between the two provides one of the great conflicts in the play. Eddie is made to choose between the two, which questions his loyalty to his family. The play explores relationships. Eddie Carbone is a tragic protagonist who needs to believe that his masculinity denies any sexual desires. To him, being homosexual is "not right"; this shows his insecurity of being a dominant character. His strong emotions for his niece suggest incestuous desires. Becoming suspicious of his own motives, Eddie doesn't realise these feelings until at the very end. His feelings for Catherine are suppressed. He transfers this sexual frustration into a hatred for Marco and Rodolpho, which causes him to act completely irrationally. Eddie's fear need to secure his good name from Marco is a result of his failure to 'protect' Catherine. The community witness his loyalty die away due to his commitment to keeping Catherine to himself, and turning his vengeance into a need for

  • Word count: 9283
  • Level: GCSE
  • Subject: English
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Views of love in William Shakespeare's Romeo and Juliet.

Views of love in William Shakespeare's Romeo and Juliet Contents . Introduction 1 2. Main part: Views of love in Romeo and Juliet 2 2.1. Romeo's and Juliet's view of love: Love as the reason for living 2 2.1.1. Romeo 2 2.1.2. Juliet 5 2.2. The domestics' and Mercutio's view of love: Love means sex 8 2.2.1. Sampson and Gregory, servants of the house of Capulet 8 2.2.2. The Nurse 9 2.2.3. Mercutio 10 2.3. Benvolio's view of love: Be happy, no matter if you are in love or not 12 2.4. Juliet's parents, the Prince and Paris: The Elizabethan attitude towards 12 love and sex 2.4.1.Capulet 13 2.4.2. Lady Capulet 14 2.4.2. Prince Escalus 15 2.4.3. Paris 16 2.5. Romeo's parents: A relationship full of love 17 2.5.1. Montague 17 2.5.2. Lady Montague 17 2.6. Friar Laurence' view of love: Violent delights have violent ends 18 3. Conclusion: In how far do the views of love presented in the play reflect 19 the attitude towards love the Elizabethan audience had? . Introduction William Shakespeare's Romeo and Juliet has the "high profile as the love-tragedy everybody knows"1. Although it is regarded as the ideal of romantic love there

  • Word count: 8953
  • Level: GCSE
  • Subject: English
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Classical Music Interpretations of Romeo and Juliet: Tchaikovsky, Gounod and Prokofiev

0099 0549 2 016 Word Count: 8300 Tutor: Dr. Julie Sanders Classical Music Interpretations of Romeo and Juliet: Tchaikovsky, Gounod and Prokofiev Contents Acknowledgements Page 3 Preface Page 4 Chapter One: The Masked Ball Page 6 Chapter Two: The Balcony Scene Page 15 Chapter Three: Friar Lawrence Page 23 Conclusions Page 31 Glossary Page 33 Bibliography Page 34 Acknowledgements This dissertation would not have been possible without the help of many tutors and friends at Keele University. Thanks, first of all are due to Dr. Julie Sanders who stimulated and encouraged me throughout the writing of this piece. Secondly I would like to thank Matt Edmonds who let me borrow several pieces of his music collection so that this dissertation could be completed. My Mum, Dad and Phil need a special thanks for reading rough drafts, sharing my enthusiasm and for picking me up when I was in need of help. Thank you all. Preface This study originated in my interest in Shakespeare and my love of music. I first had an interest in Shakespeare's Romeo and Juliet when I did a school production at the age of twelve. Having since studied a wide range of Shakespearean material at university I decided to go back to my initial interest of Romeo and Juliet and write a dissertation. As my interest in classical music has grown over the

  • Word count: 8607
  • Level: GCSE
  • Subject: English
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