How and why does Othello's character change during the course of the play? How does Shakespeare present this dramatically?
How and why does Othello's character change during the course of the play? How does Shakespeare present this dramatically? When Othello is sent to war in Cyprus, the Moor's character changes over the course of time. His language and attitude towards people, including his innocent wife, begins to differ for the worse. Othello's wild behaviour worries Desdemona incredibly as he changes a lot from his calm and gentle nature from before. Shakespeare presents this transformation through Othello's syntax and dramatic irony. His confused logic is evident in his actions whether they are violent or passionate. When Othello is in his home city of Venice, his attitude towards others is calm, shown when Cassio enters warning him that Brabantio is after him, he replies, "'Tis well I am found by you: I will but spend a word here in the house and go with you." Othello doesn't react to the words of Cassio, he stands confidently as he hasn't done anything wrong. He is a man of bravery and self-assurance. When Brabantio arrives, he orders his officers to seize Othello, but in reply, the Moor says, "Keep up your bright swords, for the dew will rust them." This humorous comment breaks the tense atmosphere and relaxes the viewers' thoughts on the situation. Shakespeare is clearly trying to show Othello's confidence and self-control as strangers approach him. This annoys Brabantio, as he feels
How far can the audience sympathise with Lady Macbeth?
Macbeth Coursework In the play we see that Lady Macbeth is a multifaceted character - at times she behaves in a way which would make us see her as a "fiend-like monster"; however later in the play we begin to see her as a "Lady of remorse." Lady Macbeth first appears in the play in Act 1 Scene 5 when she has just received Macbeth's letter and is reading it. She does not doubt the veracity of the witches' prophecies. Immediately we begin to see her own scheming ambition, "Glamis thou art, and Cawdor; and shalt be what thou art promised" - her only concern was that her husband would not be able to act in such a way so as to fulfil the prophecy "Yet I do fear thy nature; It is too full of the milk of human kindness to catch the nearest way." She understands Macbeth's nature very well, and knows that she will have to use her own influence and power over him to compel him to act, "Hie thee hither, that I may pour my spirits in thine ear and chastise with the valour of my tongue all that impedes thee." She is hopes that she will be able to bring him to her point of view "pour my spirits in thine ear" and that she will be able to convince him that murdering Duncan is the right course of action to take, and overcome his good, kind nature, "and chastise with the valour of my tongue all that impedes thee." At that time, the 16th century, it was widely accepted and believed that
"this dead butcher, and his fiend-like queen". Are these words by Malcolm an appropriate epitaph for Macbeth and Lady Macbeth?
"this dead butcher, and his fiend-like queen". Are these words by Malcolm an appropriate epitaph for Macbeth and Lady Macbeth? Malcolm says this epitaph after Macduff has severed Macbeth's head and walks into the castle. Macduff then informs his companions to proclaim "Hail, King of Scotland!" signifying he is King, which all of his companions declare. Then Malcolm states that he and everyone else will not waste their time. Malcolm also says to his Thanes and Kinsmen to be hereby known as Earls, which is what the British Thanes were called. In the same speech he exclaims that the people that fled to England (himself, Malcolm, and his brother, Donalbain) knew what Scotland had produced and he describes Macbeth as a "butcher" and Lady Macbeth as a "fiend-like Queen", but is this true? Macbeth Malcolm describes Macbeth as a "butcher" as he feels he mercilessly killed people. Below are some points that support Malcolm's view of Macbeth. The first sign of Macbeth becoming a "butcher" is when Macbeth and Lady Macbeth plan to murder King Duncan whilst he is sleeping; this occurs in Act 1 Scene 7, although it is Lady Macbeth that persuades him to do it. In Act 3 Scene 1, we can see the first steps that Macbeth is becoming a "butcher" as he plans the death of Banquo and Fleance whilst they travel on horseback. He tells the murderers to take revenge on Banquo because it is
Examine the significance of Act 3 Scene 3 in Othello
Examine the significance of Act 3 Scene 3 in Othello Act 3 Scene 3 is the pivotal point in the play as we see Othello changes from an honest, noble man, who is happily married into a man prepared to kill his own wife based on the rumours he has heard from Iago. Iago is responsible for the change in Othello, because he is jealous of Othello and wants to ruin his life. Iago's plan to get Othello to kill Desdemona and for himself to kill Cassio begins properly in Act 3 Scene 3 as he starts to sow the seed in Othello's mind that Desdemona is cheating on him with Cassio: "O beware, my lord, of jealousy It is the green-eyed monster which doth mock" (Act 3 Scene 3 Lines 167 - 168) The way Iago uses the word "lord" shows the audience and Othello that Iago has great respect for him. This leads Othello into a false sense of security as he does not think that Iago will betray would betray him by lying to him as he admires him so much. Iago is warning Othello not to be jealous, but there is no previous mention of what he should be jealous of. This brings out a desperate side in Othello that we have not seen before, as he wants to know as much information as he can. The reference to a "green-eyed monster" is another link to jealousy as it is a commonly used personification of jealousy. The colour green is a connotation of envy this is the feeling that Iago is tying to warn Othello
Explore How Evil Is Represented In Macbeth and Lord of the Flies.
"MACBETH" AND "THE LORD OF THE FLIES" EXPLORE HOW EVIL IS REPRESENTED IN "MACBETH" AND "THE LORD OF THE FLIES" ANALYSE THE CHRACTERS RESPONCES TO THIS 'Macbeth' is a play, which was written by William Shakespeare between the reigns of Elizabeth 1 and James 1 in 1606. William Shakespeare had written many plays and poems during his era. Macbeth is one of the most popular amongst his works and is now recognised as a classic. Macbeth is a character in the play that is overcome by evil desires on his way to becoming king. The book explains what happens to Macbeth and how evil causes him to commit such actions, and how he fights to keep his throne as king. 'The Lord of the Flies' is a novel, which is also a classic that had been written by William Golding. It is based during the Second World War, when a group of young boys are fleeing England to safety, but on their way, their plane crashes down onto a deserted island. Miraculously all the Children survive but all the adults had died. The book explores how these children no older than thirteen or fourteen live on the island until rescue arrives. Evil is represented in the novel by the fight for leadership between two rivals, Jack and Ralph, and how the other children live with this. Both the play and the novel have evil themes within them, which is reacted to by the characters. I will be comparing the ways evil is represented
Why Act 3, Scene 3 is a significant turning point in Othello
Act Three, Scene Three - Othello Choose a scene which you consider to be a turning point and explain in detail and with some reference to the rest of the play why it is dramatic and significant. Refer to language, themes and characterisation. A turning point is a time in a plot where actions cause a character to develop from their prior persona. A classic example of this is Act Three, Scene Three of Shakespeare's 'Othello'. This scene is crucial to the play, as it conveys the change in the moor, Othello's personality as a result of Iago's manipulation. In this essay I will describe this scene's dramatic nature and significance with reference to language, themes and characterisation. I will begin by describing Othello before Iago had interfered with his relationship. I will then give an overview of the structure and state why it is effective. I shall explore the key moments in manipulation and discuss how a climax is created. In conclusion, I shall relate the scene to the rest of the play, whilst discussing why it is dramatic with reference to the main themes portrayed, and its overall significance. Othello is a man of many complexities. Having being cast into a world of civilised Venetians, he is seen as an outsider; a 'black ram', 'The Moor'. His ethnicity is foreign to the people, and so it can be seen in his simple dialect. Yet, referred to as "noble Othello",
Shakespeare's presentation of Hamlet
It was a popular belief during Elizabethan times that if a man had been wronged and the state failed to see that justice was done, a son's duty was to take it into his own hands and seek revenge. Shakespeare presents Hamlet as a typical revenge play of the time, where the central character, Hamlet, has a duty to avenge his father's death. In Hamlet, Fortinbras and Laertes are also seen as revenge heroes, but in character contrast Hamlet in how he acts on his duty. This contrast highlights that whereas Fortinbras and Laertes are simplistic conventional revenge heroes, Hamlet on the other hand has the conventional features of a revenge hero, but is also seen as so much more. This is due to his awareness of religious principles and despite being Protestant, at times makes slight transitions to Catholic ideas. It is also due to his constant contemplation of the effects of his actions, rationalising the situation he is put in. Fortinbras is presented as a typical king who lives up to the reputation of his father with the aim to "recover [the lands]/So by his father lost". His aim is put into practice; Fortinbras, after threatening to invade Denmark, succeeds in doing so and is thereby fulfilling his role as a revenge hero. Similarly with Laertes, in the discovery of finding his father, Polonius, being murdered by Hamlet, he immediately takes on the role of an uncomplicated revenge
What techniques does Shakespeare use to reveal Iago's villainy?
What techniques does Shakespeare use to reveal Iago's villainy? The play Othello is a stereotypical Shakespearean tragedy and it uses characters that are stereotypical of the views people had during the Jacobean period. Othello is a tragedy because the main characters die at the end f the play, also throughout the play themes of prejudice; deceit and love/hate are introduced. Shakespeare has used other sources other that his imagination for his plays. 'Othello' was thought to have been taken from Hecatommithi, a collection of Italian short stories written by Giraldi Cinthio, the story seven contains many of the same names and situations as in Othello. In this essay I will analyze and comment on how Shakespeare uses techniques to reveal Iago's villainy. I will look at what effects the techniques Shakespeare uses have on the way Iago is presented to the audience. In act 2 scene 3 'Othello' we can clearly see the way Iago uses his surreptitious mind to persuade Othello that Desdemona is having an affair with Casio. Due to Iago's manipulation of Othello, Othello starts to doubt Desdemona's loyalty and becomes under Iago's control. Iago uses a sly way to get Othello's attention and get him to believe what he has to say is true, he uses phrases such as "my noble lord" using both a personal pronoun by saying "my" and flattery by calling Othello his "noble lord" which would be
Iago is fascinating for his most terrible characteristic: his utter lack of convincing motivation for his actions.
Iago is fascinating for his most terrible characteristic: his utter lack of convincing motivation for his actions. Iago's motivation is nothing more than jealously, self-absorption and hatred, yet his tact is presented in a decidedly and socially acceptable fashion, that is, until his true self is uncovered. In being so wrapped up in himself, Iago's vengeful attitude knows no bounds. His motivation becomes first known to us in the first scene of the play, in which he claims to be angry at Othello for having passed him over for the position of lieutenant. At the end of Act I, scene iii, Iago states that he thinks Othello may have slept with his wife, Emilia: "It is thought abroad that 'twixt my sheets / He has done my office". However none of these claims seems to adequately explain Iago's most deep hatred of Othello, and Iago's lack of convincing motivation or his inability or unwillingness to express his true motivation-makes his actions all the more terrifying and sinister. He is willing to take revenge on anyone, Othello, Desdemona, Cassio, Roderigo, even Emilia, at the slightest provocation and he enjoys damage that he causes. Iago's true power lays in his great talent for understanding and manipulating the desires and insecurities of those around him. Thus making him both a powerful and compelling figure. He seems to be the puppeteer of all the other characters in the
Romeo's letter to his father - Romeo and Juliet.
Dear Father, As you read my last words to yourself I am lying dead not because of a sword wound but because of a broken heart. Confusion and puzzle must be swarming through your head like a beehive but as you come to the last word of this letter you should hopefully understand and forgive me. I received an invitation that invited me to my only foes mansion but I met my only true love there. Rosaline was the one that I thought had my heart but my thoughts were deceived and my eyes saw the truth. As I gazed through my mask I saw her. I asked myself 'Did my heart love till now?' only about a quarter of an hour later I knew the answer to this question. I asked for a kiss and was denied at first. When going to kiss I said thus from my lips, by thine, my sin is purged. Our lips touched and my heart throbbed I pleaded 'Give me my sin again.' As I requested she did. A women interrupted our moment and told Juliet that her 'mother craves a word' with her. 'What is her mother?' I asked with curiosity and the answer that I got was like a sharp pain through my heart. A Capulet I asked myself how can this be? 'my life is my foe's debt' A Capulet or not I had to go and see my lady again and see I did. She appeared at her balcony. She gazed into the star night as I looked into her eyes 'Two of the fairest stars in all the heaven,' I fell more in love. She spoke 'Ay me!' I muttered to
