"The Bloody Chamber" by Angela Carter - With close reference to one of the tales, discuss how Carter draws upon and subverts conventions of the fairy tale
"The Bloody Chamber" by Angela Carter "With close reference to one of the tales, discuss how Carter draws upon and subverts conventions of the fairy tale" Usually fairy tales are told to children to teach them a moral lesson in life or as is mostly the case, help them tell the difference between good and bad. Angela Carter is someone known to take elements from fairy tales and turn them into well written, exciting, compelling complex dramas of a Gothic nature filled with sexual innuendo, a combination of different narrations (mainly first and third), strong heroic female characters and the evil villain - the male. "The Bloody Chamber" is a modern interpretation of the "Blue Beard" (character below) fairy tale which uses this very formula to create an exciting and dramatic story. In a nutshell both stories are about young women (in their late teens, on the verge of turning into womanhood) who marry a wealthy man and leave a life of modesty behind them. The young women are given a set of keys which allows them to explore every room in the house - except one (the 'bloody' chamber) , if that room is entered, dire consequences shall follow (death). Naturally the young women ignore the advice of their intimidating, menacing and much older husbands to enter the room and fall into the trap set up for them and like every disobedient child, they MUST be punished. With reading the
"A shockingly cynical picture". In the light of this comment, discuss the Wife of Bath's account of her marriages to her first three husbands. In your response, you should consider:
"A shockingly cynical picture". In the light of this comment, discuss the Wife of Bath's account of her marriages to her first three husbands. In your response, you should consider: * what the account reveals about the Wife of Bath's character and personality * the account's significance in the poem's treatment of the theme of marriage * tone and style Within the Prologue the Wife of Bath leaps into account of her marriages to her first three husbands. We are treated to a vivid depiction of her distinct character and personality and gain profound insight into Chaucer's treatment of the theme of marriage. I will now discuss in detail how the wife paints a picture that is "shockingly cynical". To begin, the wife's merciless and uncaring nature should be considered. She takes delight in recounting the sexual demands she made of her husbands and the misery that she thus caused them. It is almost as if she gains a sadistic pleasure from doing this: "I laughe whan I thinke/How pitously a-night I made hem swinke". Moreover, the wife recalls with a boastful tone how "many a night they songen "weilawey!" She also prides herself on her ability to make them bring her "gaye things fro the faire" yet she still "chidde them spituously", highlighting a lack of respect towards her husbands. This is likewise apparent in the wife's tirade against them in which she employs a variety of
Explore the presentation of revenge in 'Hamlet'.
Jose Cree Explore the presentation of revenge in 'Hamlet' Revenge is a key theme in Hamlet. It is not only essential to understanding Hamlet's character, it forms the structure for the whole play, supporting and overlapping other important themes that arise. Though it is Hamlets revenge that forms the basis for the story, tied into this is the vengeance of Laertes and Fortinbras, whose situations in many ways mirror Hamlets' own. By juxtaposing these avengers, Shakespeare draws attention to their different approaches to the problem of revenge and how they resolve these. The idea of revenge is first introduced by the appearance of the ghost in act 1 Scene 5, and linked to this is the theme of hell and the afterlife. At the end of this scene, Hamlet is irreversibly bound to revenge for the duration of the play, 'speak, I am bound to hear' 'So art thou to revenge'. The ghost appears with the sole aim of using his son to obtain revenge on his brother, and so every word he speaks is designed to enrage Hamlet and stir in him a desire for vengeance. He uses very emotive language to exaggerate the enormity of the crime, and he concentrates Hamlet's attention on the treachery of Claudius. His description of the murder itself demonises Claudius and contains many references to original sin, 'the serpent that did sting thy fathers life now wears his crown.' Hamlet, who has been
Wilfred Owen's Anthem for Doomed Youth and Siegfried Sassoon's Attack - Explore the ways in which Sassoon's and Owen's words convey powerful feelings about the First World War in these two poems.
Wilfred Owen's Anthem for Doomed Youth and Siegfried Sassoon's Attack Explore the ways in which Sassoon's and Owen's words convey powerful feelings about the First World War in these two poems. Wilfred Owen and Siegfried Sassoon are seen as the two greatest British First World War poets. 'Attack' and 'Anthem for Doomed Youth' attempt to dissuade young men to go to war and to stop them from 'dying as cattle' on the front. These views were not conventional. The British Government and the people on the Home Front were urging people to go to war and said it was 'a noble thing to die for your country. In these poems and many of their other poems Owen and Sassoon redefine war, from being a noble thing to die for you country to the poets mocking the war and describing the brutal reality of trenches and the Western Front. Therefore it is a very controversial poem. Sassoon used his powerful poetic voice to shock Britons and warmongers. His poems savaged the smug cruelty of the generals who sacrificed hundreds of lives of innocent soldiers and told people about the reality of the Great War. Owen had the same views on the war but his work had not yet been published but when he met Sassoon at Craig Lockhart Hospital during the war Sassoon noticed his talent as a poet and it was there that Owen was most inspired writing poems such as 'Anthem for Doomed Youth'. Wilfred Owen's 'Anthem
To what extent can 'The strange case of Dr Jekyll and Mr Hyde' be viewed as a 'gothic novel'
To what extent can 'The strange case of Dr Jekyll and Mr Hyde' be viewed as a 'gothic novel'? Jekyll and Hyde is a gothic novel. It was written by Robert Louis Stevenson, he got the idea for the story after a dream he had. The word 'Goth' is originally from a German tribe and has come to mean 'barbarian' and later know as 'Gothic'. In Gothic Literature certain features are expected. These are supernatural events, have villains and hero characters, strange weather, horror, mystery and deaths. Older Gothic literature was in castles and deserted buildings. Modern Gothic novels were written is more populated areas. Another text that can be classed as 'Gothic' is the novel 'Frankenstein'. The reason for it being a 'Gothic' novel is the way it has a mutant character. Frankenstein is a mutant and is made by a crazy scientist 'I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion. Frightful must it be, for supremely frightful would be the effect of any human endeavor to mock the stupendous mechanism of the Creator of the world.' Here the crazed scientist is describing his creation coming to life. This quote describes the vision of the scientist looking at the monster he created. The images in this quote evokes some of the key gothic themes, such as the horrific
HOW DOES JULIET'S CHARACTER DEVELOP FROM DUTIFUL DAUGHTER TO INDEPENDENT YOUNG WOMAN IN 'ROMEO AND JULIET'?
HOW DOES JULIET'S CHARACTER DEVELOP FROM DUTIFUL DAUGHTER TO INDEPENDENT YOUNG WOMAN IN 'ROMEO AND JULIET'? "O happy dagger, / This is they sheath; / there rust, and let me die." Juliet Capulet (5:3:168-170) First published in 1595, Romeo and Juliet has consistently been one of William Shakespeare's most renowned plays. It is primarily a tragedy, but it tells of one of the most iconic and famed love stories ever written. It tells of the death-marked love between a pair of star-crossed lovers, who must die to bury their parents' strife and end the ancient grudge between the feuding Capulet and Montague families. It tells the tragic lives of two young lovers, in a heart-gripping story containing light and dark, love and hate, life and death. Essentially, it tells of two young people taking their own lives to forever be joined with love. During this essay, I will follow the heroine, Juliet Capulet, in her story of how she burst into adulthood, and how she made the final decision to end her life forever. The first instance in which Juliet demonstrates independent thinking, is during Act 1 Scene 3, when she is asked by her mother about the possibility of an engagement between herself and the Prince of Verona. "It is an honour that I dream not of." (1:3:66) is Juliet's reply. For the Elizabethan era, this is an odd response, and the audience are unsure of whether or not she
Villain or victim? Is Macbeth a victim of external circumstances or a man solely driven by evil?
Villain or victim? Is Macbeth a victim of external circumstances or a man solely driven by evil? Macbeth is the most widely translated Shakespeare play for good reason. The legend of Macbeth is a timeless tragedy, the hero succumbing to his fatal flaw. All Shakespeare's tragedies focus on this same idea; a single flaw in the person that leads to their destruction, desperation and death. Macbeth's fatal flaw is ambition, once the flame of his desires is lighted, it grows and engulfs all that it comes into contact with. But what is it that drags our 'noble', 'brave' Macbeth into the pool of devastation and evil? Is our tragic hero simply a victim of external circumstances, or a man solely driven by evil? It is clear that throughout the play, Macbeth's evil actions do not come unprovoked. Macbeth's ambition was unleashed the second he met the witches. The witches do not stumble upon Macbeth, they plan their meeting upon the heath, and they see the destruction he will cause. Though Macbeth does not immediately appear to believe the prophecies, '...to be king Stands not within the prospect of belief No more than to be Cawdor.', He soon warms to the idea. The witches speak in riddles, and in a different rhythm to Shakespeare's usual iambic pentameter, emphasising their abnormality and evil. Angus awakens Macbeth to the idea by telling him of the Thane of Cawdor's downfall and
Can Faustus truly be regarded as a tragic hero
Faustus, a tragic hero? In order to do this, Marlowe has drawn on the conventions of classical Greek tragedy, many of which dictate the nature of the hero or heroine. In ancient times, a hero achieved heroic status not because of saintliness or wickedness, but because of the acts he performed in life. The hero should have a socially elevated status and suffer a reversal of fortune in which he experiences great suffering. This is all certainly true of Faustus, who is highly regarded as both a lecturer at the University of Wittenberg, and an accomplished scholar. During his life, he performs extraordinary feats, which were unlike anything experienced by lesser mortals. Even by modern standards, the notion of necromancy is disturbing; for a contemporary Elizabethan audience, for whom religion permeated all aspects of life, it would have been inconceivably horrific. Once Faustus is "glutted with learning's golden gifts and surfeited upon cursed necromancy" he uses his powers to embark upon amazing adventures (for example learning the secrets of astronomy upon the summit of mount Olympus) which, again, are befitting of the tragic hero. Faustus reversal of fortune is also typically tragic. During the final scene of the play, in which we witness Faustus' final hour before being taken off to hell, he is, like all heroes of classical tragedy, completely isolated. There is a poignant
Compare and Contrast the Two War Poems -'Dulce Et Decorum Est' and 'The Charge of The Light Brigade'
Compare and Contrast the Two War Poems - 'Dulce Et Decorum Est' and 'The Charge of The Light Brigade' Wilfred Owen and Alfred, Lord Tennyson demonstrate their strong views and responses to war very differently in the two war poems: 'Dulce Et Decorum Est' and 'The Charge of The Light Brigade' Tennyson's poem of 1854 was written about a battle that took place in the Crimea, in southern Russia. Tennyson was not personally involved in the battle and got his story from 'The Times.' His son told of how he wrote 'Charge' in just a few minutes after reading the article. And although it has been said that this battle would have been forgotten if this poem did not exist, Tennyson wrote it not knowing all the facts, which means he only knew one side of the story, unlike Wilfred Owen, who was in the war from the start until he died shortly before it ended. Owen asks us to question all the certainties that Tennyson is celebrating. Owen wrote 'Dulce Et Decorum Est' as he was being affected by World War One through first-hand experience; he was a lieutenant. It becomes apparent during the poem that Owen was strongly opposed to war, as he recounts a horrifying time that affected him deeply. Tennyson's message, however, was more patriotic and he wrote to praise England for the admirable soldiers who deserved honour and were worthy of respect for their actions. He describes a valiant
To what extent does language reflect the disintegration of Othellos character?
To what extent does language reflect the disintegration of Othello's character? Throughout the play, the protagonist's language seems to be an honest portrayal of his state of mind. His language is inconsistent through the play and this reflects the characters downfall and change in nature. In the beginning of the play Othello appears to be a noble man with a calm nature. This is apparent during Othello's disagreement with Brabantio over his marriage to Desdemona. Othello exclaims, 'Keep up your bright swords, for the dew will rust / them.' (Act1,2,58). His use of language demonstrates he is wise as he is being rational rather than responding to physical violence. It is through this calm and rational manner that Othello persuades the Duke to dismiss Brabantio's claims that he has used 'magic' and 'drugs' to woo his daughter. Othello even says, 'Rude am I in my speech', to apologise for any offence he may cause even though he is fully aware that he is speaking in a polite and calm manner. His language here shows control unlike Brabantio who uses abrupt and accusing language: 'O foul thief! Where has thou stow'd my daughter?' (Act1,2,62). Othello's love for his wife is portrayed through his speech: 'I therefore beg it not / To please the palate of my appetite, / Nor to comply with heat the young affects / In my distinct and proper satisfaction, / But to be free and
